These are the best Nikon lenses for cityscape photography, chosen for how they deliver rectilinear calm, flare discipline, and corner-to-corner acuity while staying portable for blue-hour walks and rooftop sets—mixing sharp native Z glass with F-mount legends via FTZ. City work is about geometry, glow, and flexibility: wides that keep lines honest for skylines and bridges, coatings that hold contrast under neon and low sun, and mid-tele options to compress layers or isolate architectural details. On Z full-frame, anchor with the NIKKOR Z 14–30mm f/4 S for filterable ultrawide coverage (a rare 14mm that takes screw-ins) and add the Z 17–28mm f/2.8 when you want speed for dusk interiors and night streets; keep the Z 20mm f/1.8 S and Z 24mm f/1.8 S as prime-grade staples with tidy corners and elegant sunstars, and carry the Z 24–120mm f/4 S as a one-lens roam that intercuts cleanly with S primes; for compression and detail crops from observation decks or across rivers, the Z 70–200mm f/2.8 S is razor-sharp and TC-friendly, while the Z 100–400mm f/4.5–5.6 S reaches distant spires with surprising close focus. DX shooters get stabilized, featherweight coverage in the Z DX 12–28mm f/3.5–5.6 PZ VR (great for video/timelapse) and the crisp Z DX 16–50mm f/3.5–6.3 VR; add the Viltrox 13mm f/1.4 Z for fast APS-C ultrawide nights. Adapting F glass unlocks proven stalwarts: AF-S 14–24mm f/2.8G (the classic night skyline lens—use a square holder), AF-S 16–35mm f/4G VR (filter-friendly dusk work with stabilization), AF-S 18–35mm f/3.5–4.5G (featherweight value), and primes like AF-S 20mm f/1.8G, 24mm f/1.8G, and 28mm f/1.8G for clean, low-distortion frames; mid-tele F-mount favorites—AF-S 70–200mm f/2.8E FL VR or 70–200mm f/4G VR—deliver layered city compression from bridges and rooftops. For specialty control, Laowa’s Zero-D primes shine: 15mm f/2 Zero-D (Z) and 12mm f/2.8 Zero-D (F/Z) give dramatic sweep with straight lines and filter options, while the Laowa 15mm f/4.5 Zero-D Shift and 20mm f/4 Zero-D Shift keep verticals parallel for architecture-grade façades and parallax-free stitches. Image priorities that make these the “best” in town: low, easily-profiled distortion so windows and edges stay true, restrained lateral/longitudinal CA to avoid color bleed on high-contrast trim, coatings that resist ghosting around streetlights and sunset flares, quiet AF for hybrid clips, and sensible front diameters for simple CPL/ND workflows. Technique sells the skyline—level the camera and use mild keystone fixes (or shift glass) rather than heavy warps, shoot f/5.6–f/8 for peak acuity (stack focus instead of stopping past ~f/11), start blue hour exposures at base ISO with a sturdy support, bracket for dynamic interiors and reflective water, and lock white balance for pano stitches; for starbursts on bridges and towers, work around f/8–f/16 with clean-front lenses, use a slim CPL sparingly to tame glass/water glare (avoid blotchy skies), and keep a 3–6 stop ND for silky water and traffic trails. A practical kit recipe is simple: on Z FX, run 14–30/4 S + 24–120/4 S for roaming, add 20/1.8 S or 24/1.8 S for blue-hour speed and 70–200/2.8 S (or 100–400 S) for compression; on Z DX, carry 12–28 PZ VR + 16–50 VR and add Viltrox 13/1.4 for night scenes; via FTZ, build 16–35/4 VR + 20/1.8G (or 14–24/2.8G with a square holder) and a 70–200 for distant layers; sprinkle in Laowa 15/4.5 or 20/4 Shift when verticals must be perfect. Whether you’re threading tight historic alleys, framing riverfront reflections, shooting rooftop sunsets, or filming stabilized walk-throughs, the best Nikon cityscape lenses deliver geometry, flare discipline, and flexible handling that make urban scenes read elegant, immersive, and intentionally refined straight out of camera.