These are the best wide-angle lenses with image stabilization when you want expansive views, steady handhelds, and disciplined flare for landscapes, cityscapes, interiors/real estate, travel, vlogging, and astro foregrounds—without hauling a tripod—and here’s what to look for as you buy: prioritize effective optical stabilization (IS/VR/OSS/OIS) that plays cleanly with your camera’s IBIS, strong edge performance by working apertures (≈ƒ5.6–ƒ8), low distortion and reliable correction profiles, quiet AF with minimal breathing if you film, front-filter support (67/72/77/82mm) unless you accept rear/holders, and useful close-focus for foreground drama; remember IBIS shines at short focal lengths, but lens IS helps most for video and slow shutter stills, especially on bodies without IBIS. Full-frame stabilized standouts—Canon RF: RF 15–35mm ƒ2.8L IS (fast + IS, event/real-estate workhorse), RF 14–35mm ƒ4L IS (filterable ultra-wide, travel-friendly), RF 15–30mm ƒ4.5–6.3 IS (budget/lightweight), RF 24mm ƒ1.8 Macro IS (bright prime for handheld night and video), RF 35mm ƒ1.8 Macro IS (street/food hybrid); Sony FE: FE 16–35mm ƒ4 ZA OSS (classic stabilized wide zoom), FE 24–105mm ƒ4 G OSS (not ultra-wide but covers 24mm with excellent OSS for travel/interiors); Nikon F (adapt to Z for IBIS+VR): AF-S 16–35mm ƒ4G VR (legendary stabilized ultra-wide), AF-S 18–35mm ƒ3.5–4.5G (no VR—pair with IBIS), and consider the F 24–120mm ƒ4 VR as a stabilized 24mm starter; L-mount: Panasonic Lumix S 24–105mm ƒ4 Macro OIS (Dual I.S. with Panasonic bodies, great close-focus), Sigma 24–105mm ƒ4 OS Art (adapted value on some mounts). APS-C winners with stabilization: Sony E 10–18mm ƒ4 OSS (tiny, stabilized ultra-wide—great for travel and gimbals), Sony E 18–105mm ƒ4 PZ OSS (not ultra-wide but a stabilized 27mm-eq start for video rigs), Canon RF-S 10–18mm ƒ4.5–6.3 IS STM (compact, stabilized, perfect for vlogging and interiors), Fujifilm XF 10–24mm ƒ4 OIS (WR version adds better OIS, superb for city/landscape), Fujifilm XF 16–80mm ƒ4 OIS WR (wide-to-normal with strong stabilization), Nikon Z DX 12–28mm ƒ3.5–5.6 PZ VR (power-zoom + VR for video/travel). Micro Four Thirds gems (OIS + Sync IS champs): OM SYSTEM M.Zuiko 12–100mm ƒ4 IS PRO (iconic—syncs with body for crazy handheld speeds), Panasonic Leica 12–35mm ƒ2.8 OIS (v2/III—stabilized, video favorite), Panasonic 12–60mm ƒ2.8–4 OIS and 12–60mm ƒ3.5–5.6 OIS (light, flexible, weather-sealed options), Panasonic Leica 8–18mm ƒ2.8–4 (no OIS—pair with IBIS bodies) and Lumix 7–14mm ƒ4 (IBIS reliance) if you accept body-only stabilization. Practical buyer tips: on Canon RF, pick 14–35/4 IS for filterable ultra-wide travel, 15–35/2.8 IS for events/night; Sony shooters who need optical IS specifically should favor the 16–35/4 OSS or the 24–105/4 OSS as a one-lens travel solution; Fujifilm’s 10–24/4 OIS and 16–80/4 OIS are stabilized go-tos for crop; for Micro Four Thirds, the 12–100/4 IS PRO is the handheld king—pair with bodies that support Sync IS; if your body has strong IBIS (many Nikon Z/Sony/Canon R/OM), lens IS still helps for video micro-jitter and slow shutters—test combos; used DSLR 16–35/4 VR (Nikon) and EF 16–35/4L IS (adapted to RF/Z/L/Sony) remain stabilized bargains. Stabilized wide-angle shooting tips: level the camera and compose with foreground anchors, then let stabilization handle 1/5–1/2s “drag the shutter” city glow—brace your stance and roll the shutter smoothly; stop to ƒ5.6–ƒ8 (≈ƒ4–ƒ5.6 on smaller sensors) for edge discipline, shade the front element to avoid veiling flare, and use a CPL lightly (ultra-wides can blotch skies); for video, combine lens IS with IBIS/electronic IS for micro-jitter control, prefer lenses with quiet AF and low breathing, and add a quality VND for consistent shutter; for astro foregrounds on stabilized bodies, shoot multiple short exposures and stack—IS won’t freeze stars; whether you’re squeezing hotel rooms, handholding blue-hour streets, vlogging alleys, or sliding through museum halls, the best stabilized wide-angles balance credible corners, reliable IS, and portability—so your big scenes look clean, steady, and beautifully composed.