These are the best Sony zoom lenses when you want fast, reliable autofocus, stabilized versatility, and weather-ready builds for travel, events, landscapes, sports, wildlife, and video—and here’s what to look for as you buy: decide your speed/weight trade (constant f/2.8 for low light/action vs lighter f/4–6.3 for carry-everywhere), favor linear motors with quiet transitions, check OSS (pairs with IBIS), evaluate focus breathing if you film, prefer internal zoom for balance (or stout collars on extending designs), confirm teleconverter compatibility (1.4×/2.0× on select G/GM), mind minimum focus for “near-macro” detail, standardize filter sizes for one CPL/VND, and prioritize sealing and ergonomics you can shoulder all day. Full-frame ultra-wides: FE 16–35mm f/2.8 GM II (bright, corner-clean, lighter than V1) and FE PZ 16–35mm f/4 G (internal power-zoom, minimal breathing, gimbal friendly); rectilinear extremes: FE 12–24mm f/2.8 GM (night interiors, astro) and FE 12–24mm f/4 G (lighter, travel). Mid-range workhorses: FE 24–70mm f/2.8 GM II (flagship event lens—fast AF, great close-focus), FE 20–70mm f/4 G (starts at 20mm, internal-zoom feel, video star), FE 24–105mm f/4 G OSS (do-everything walk-around—sharp, stabilized), and the featherweight FE 28–60mm f/4–5.6 for pocket travel kits. Telephoto staples: FE 70–200mm f/2.8 GM OSS II (sideline/stage hero—blazing AF, internal zoom, TC-ready), FE 70–200mm f/4 Macro G OSS II (half-macro 0.5× at all focal lengths, 1:1 with 2× TC, lightweight), FE 70–300mm f/4.5–5.6 G OSS (compact stabilized reach), FE 100–400mm f/4.5–5.6 GM OSS (tack-sharp long zoom with TC support), and FE 200–600mm f/5.6–6.3 G OSS (wildlife/value king—internal zoom, sealed, responsive AF). APS-C zoom standouts: E PZ 10–20mm f/4 G (tiny internal PZ, great for video), E 16–55mm f/2.8 G (pro mid-range sharpness), E 18–135mm f/3.5–5.6 OSS (travel light), and E 70–350mm f/4.5–6.3 G OSS (sharp, stabilized tele). Practical buyer tips: build a two-zoom spine for your work—16–35/2.8 + 24–70/2.8 for events, 24–105/4 + 70–200/4 Macro for travel/doc, 24–70/2.8 + 100–400 GM for stage/field, or 70–200/2.8 + 200–600 G for wildlife; if you’re video-heavy, pick PZ 16–35/4 and 20–70/4 for internal zoom and minimal breathing; confirm TC support before you commit, and swap the tripod foot for an Arca plate to save time. Shooting tips: use AF-C with a limiter for action, lock decisive shutters (~1/1000–1/2000 s for sports, 1/500–1/800 s for wildlife/performers), run Manual or TAv with Auto-ISO to keep motion consistent, set OSS Mode 2 for panning and Mode 1 for general handhelds, stop ultra-wides to f/5.6–f/8 for corner discipline, exploit close-focus at the long end for creamy “near-macro” shots, and for video hold a 180° shutter with a quality VND and enable breathing compensation on supported bodies. Whether you’re threading cathedral aisles, covering courts to stage, hiking for landscapes, or tracking raptors at golden hour, the best Sony zooms combine stabilized reach, quiet linear AF, and field-tough ergonomics—so your files stay sharp, your footage cuts cleanly, and your kit remains comfortable from dawn call to encore.