These are the best Sony lenses for architectural photography when you want ruler-straight lines, clean corners, disciplined flare, and textures that hold up to large prints—and here’s what to look for as you buy: prioritize ultra-wide to wide focal lengths with low native distortion (and good profile support), excellent corner sharpness at ƒ5.6–ƒ11, minimal field curvature, high micro-contrast, robust flare/ghost resistance for glass and steel, and precise manual-focus feel for tripod work; favor internal focus/zoom for balance on sliders, consistent front diameters for one high-quality CPL/ND (use a CPL sparingly to avoid blotchy skies), and weather sealing for dusty renovation sites; if you need on-sensor corrections for video, pick lenses that play well with breathing compensation; for perspective control, consider E-mount shift/tilt options or adapters for classic shift glass. Full-frame prime heroes: FE 14mm ƒ1.8 GM (astonishing corners and low coma—great for interiors and night cityscapes), FE 20mm ƒ1.8 G (lightweight, threaded, sharp edge-to-edge stopped down), FE 24mm ƒ1.4 GM (street façades with near-zero distortion feel and gorgeous micro-contrast), and FE 35mm ƒ1.4 GM (details, lobbies, and contextual exteriors with crisp geometry); value picks include FE 24mm ƒ2.8 G and FE 40mm ƒ2.5 G for compact survey kits. Ultra-wide and standard zoom workhorses: FE 12–24mm ƒ2.8 GM (flagship breadth with disciplined corners and great flare control), FE 12–24mm ƒ4 G (lighter, budget-friendlier), FE 16–35mm ƒ2.8 GM II (razor sharp, agile, excellent contrast), and FE PZ 16–35mm ƒ4 G (power-zoom precision and minimal breathing for video walkthroughs); for mid-range coverage, FE 24–70mm ƒ2.8 GM II (optically stellar, close-focus for details) and FE 24–105mm ƒ4 G (do-it-all location lens with reliable stabilization). Compression/detail from distance: FE 70–200mm ƒ4 Macro G II (light, sharp, close-focus for fixtures) or FE 70–200mm ƒ2.8 GM OSS II (pro AF/OSS for skyline isolations). Perspective-control options for Sony shooters: Laowa/Voigtländer shift primes on E-mount (e.g., 15mm/20mm Shift “Zero-D” types) deliver straight lines with in-camera level horizons; for legacy tilt/shift, adapt Canon TS-E with a smart adapter and work on a sturdy tripod. APS-C shooters get standout coverage with E PZ 10–20mm ƒ4 G (tiny, rectilinear feel, power zoom for video), E 11mm ƒ1.8 (bright interiors), E 15mm ƒ1.4 G (crisp “normal-wide”), E 10–18mm ƒ4 OSS (classic value UWA), and E 16–55mm ƒ2.8 G (pro mid-range). Practical buyer tips: build a two-lens spine (12–24/2.8 + 24–70/2.8 or PZ 16–35/4 + 24–105/4) and add a favorite prime (20/1.8 or 24/1.4) for low-light lobbies; standardize filter sizes to carry one top-tier CPL and a soft-grad ND; test your lens for mustache distortion and field curvature before committing; if you deliver a lot of video tours, favor the PZ 16–35/4 G for smooth, remote framing and minimal breathing. Architectural shooting tips: level the camera to keep verticals true (or leave generous margins for post correction), work at ƒ5.6–ƒ8 for maximum plane sharpness (push to ƒ11 for deep spaces), bracket exposures and blend to hold windows and fixtures, use a tripod and 2-sec timer or remote, kill reflections with a rubber hood against glass, add subtle clarity rather than heavy sharpening, and time sessions for blue/golden hour to balance interior/exterior luminance; for hero shots with starbursts, stop down modestly and position the sun on an edge to avoid ghosts. Whether you’re capturing modern curtain-wall towers, restored brick warehouses, vaulted lobbies, or intricate interiors, the best Sony lenses for architectural photography combine rectilinear discipline, corner-to-corner acuity, and flare control—so your lines stay straight, your textures sing, and your spaces feel exactly as designed.