Sigma 24-70mm F2.8 DG DN II Art

❤️9.3K
Picture of the Sigma 24-70mm F2.8 DG DN II Art lens

Type

  • Wide-Angle

  • Standard

  • Telephoto

Focal Length

24-70mm

Lens Mount

  • Leica L

  • Sony E

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 70-200mm F2.8 DG DN OS Sports

❤️9.3K
Picture of the Sigma 70-200mm F2.8 DG DN OS Sports lens

Type

  • Telephoto

Focal Length

70-200mm

Lens Mount

  • Leica L

  • Sony E

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🤳Image Stabilization
  • 🌙Low Light

Sigma 24-70mm F2.8 DG DN Art

❤️9.2K
Picture of the Sigma 24-70mm F2.8 DG DN Art lens

Type

  • Standard

  • Wide-Angle

  • Telephoto

Focal Length

24-70mm

Lens Mount

  • Leica L

  • Sony E

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 70-200 F2.8 DG OS HSM Sport

❤️9.1K
Picture of the Sigma 70-200 F2.8 DG OS HSM Sport lens

Type

  • Telephoto

Focal Length

70-200mm

Lens Mount

  • Canon EF

  • Nikon F

  • Sigma SA

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🤳Image Stabilization
  • 🌙Low Light

Sigma 14-24mm F2.8 DG DN Art

❤️9.1K
Picture of the Sigma 14-24mm F2.8 DG DN Art lens

Type

  • Wide-Angle

Focal Length

14-24mm

Lens Mount

  • Leica L

  • Sony E

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 24-35mm F2 DG HSM Art

❤️9.0K
Picture of the Sigma 24-35mm F2 DG HSM Art lens

Type

  • Wide-Angle

Focal Length

24-35mm

Lens Mount

  • Canon EF

  • Nikon F

  • Sigma SA

Features

  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 50-100mm F1.8 DC HSM Art

❤️8.9K
Picture of the Sigma 50-100mm F1.8 DC HSM Art lens

Type

  • Telephoto

Focal Length

50-100mm

Lens Mount

  • Canon EF

  • Nikon F

  • Sigma SA

Features

  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 14-24mm F2.8 DG HSM Art

❤️8.8K
Picture of the Sigma 14-24mm F2.8 DG HSM Art lens

Type

  • Wide-Angle

Focal Length

14-24mm

Lens Mount

  • Canon EF

  • Nikon F

  • Sigma SA

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 28-105mm F2.8 DG DN Art

❤️8.8K
Picture of the Sigma 28-105mm F2.8 DG DN Art lens

Type

  • Standard

Focal Length

28-105mm

Lens Mount

  • Sony E

  • Leica L

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 60-600mm F4.5-6.3 DG DN OS

❤️8.7K
Picture of the Sigma 60-600mm F4.5-6.3 DG DN OS lens

Type

  • Telephoto

Focal Length

60-600mm

Lens Mount

  • Leica L

  • Sony E

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🤳Image Stabilization
  • 🌙Low Light

Sigma 24-70mm F2.8 DG OS HSM Art

❤️8.6K
Picture of the Sigma 24-70mm F2.8 DG OS HSM Art lens

Type

  • Standard

  • Wide-Angle

  • Telephoto

Focal Length

24-70mm

Lens Mount

  • Canon EF

  • Sigma SA

  • Nikon F

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🤳Image Stabilization
  • 🌙Low Light

Sigma 28-70mm F2.8 DG DN Contemporary

❤️8.6K
Picture of the Sigma 28-70mm F2.8 DG DN Contemporary lens

Type

  • Standard

  • Wide-Angle

  • Telephoto

Focal Length

28-70mm

Lens Mount

  • Leica L

  • Sony E

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 150-600mm F5-6.3 DG DN OS

❤️8.6K
Picture of the Sigma 150-600mm F5-6.3 DG DN OS lens

Type

  • Telephoto

Focal Length

150-600mm

Lens Mount

  • Leica L

  • Sony E

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🤳Image Stabilization
  • 🌙Low Light

Sigma 60-600mm F4.5-6.3 DG OS HSM Sport

❤️8.6K
Picture of the Sigma 60-600mm F4.5-6.3 DG OS HSM Sport lens

Type

  • Telephoto

Focal Length

60-600mm

Lens Mount

  • Canon EF

  • Nikon F

  • Sigma SA

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🤳Image Stabilization
  • 🌙Low Light

Sigma 28-45mm F1.8 DG DN Art

❤️8.5K
Picture of the Sigma 28-45mm F1.8 DG DN Art lens

Type

  • Standard

Focal Length

28-45mm

Lens Mount

  • Leica L

  • Sony E

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 12-24mm F4 DG HSM Art

❤️8.4K
Picture of the Sigma 12-24mm F4 DG HSM Art lens

Type

  • Wide-Angle

Focal Length

12-24mm

Lens Mount

  • Canon EF

  • Nikon F

  • Sigma SA

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 16-28mm F2.8 DG DN Contemporary

❤️8.0K
Picture of the Sigma 16-28mm F2.8 DG DN Contemporary lens

Type

  • Wide-Angle

Focal Length

16-28mm

Lens Mount

  • Leica L

  • Sony E

Features

  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 100-400mm F5-6.3 DG DN OS

❤️8.0K
Picture of the Sigma 100-400mm F5-6.3 DG DN OS lens

Type

  • Telephoto

Focal Length

100-400mm

Lens Mount

  • Sony E

  • Leica L

  • Fujifilm X

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🤳Image Stabilization
  • 🌙Low Light

Sigma 18-50mm F2.8 DC DN Contemporary

❤️7.9K
Picture of the Sigma 18-50mm F2.8 DC DN Contemporary lens

Type

  • Standard

Focal Length

18-50mm

Lens Mount

  • Canon RF

  • Fujifilm X

  • Leica L

  • Sony E

Features

  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 100-400mm F5-6.3 DG OS HSM

❤️7.8K
Picture of the Sigma 100-400mm F5-6.3 DG OS HSM lens

Type

  • Telephoto

Focal Length

100-400mm

Lens Mount

  • Canon EF

  • Nikon F

  • Sigma SA

Features

  • Weather-Sealing
  • 🔇Silent Focus
  • 🌟Bokeh
  • 🤳Image Stabilization
  • 🌙Low Light

Sigma 18-50mm F2.8 DC DN Contemporary

❤️7.6K
Picture of the Sigma 18-50mm F2.8 DC DN Contemporary lens

Type

  • Standard

Focal Length

18-50mm

Lens Mount

  • Fujifilm X

Features

  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Sigma 10-18mm F2.8 DC DN

❤️6.8K
Picture of the Sigma 10-18mm F2.8 DC DN lens

Type

  • Wide-Angle

Focal Length

10-18mm

Lens Mount

  • Canon RF

  • Fujifilm X

  • Leica L

  • Sony E

Features

  • 🔇Silent Focus
  • 🌟Bokeh
  • 🌙Low Light

Best Sigma Zoom Lenses in 2025

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These are the best Sigma zoom lenses when you want fast, reliable autofocus, sharp corner-to-corner optics, and rugged builds that scale from travel to weddings, sports, wildlife, interiors, and video—across full frame and APS-C—and here’s what to look for as you buy: decide your speed/weight trade (constant f/2.8 for low light vs lighter f/4–6.3 for travel), stabilization strategy (OS in-lens vs relying on IBIS), AF motor type and focus limiter/custom buttons for action, breathing control if you shoot video, weather sealing (Sports line is the toughest), filter friendliness (72/77/82mm vs bulbous fronts needing holders), close-focus for detail B-roll, internal vs external zoom for gimbals/monopods, tripod collar quality (Arca feet save time), teleconverter compatibility, and consistent color across your kit (DG DN Art/Contemporary match well). Mirrorless full-frame anchors: the 24–70mm f/2.8 DG DN | Art is the do-everything mid-range—fast, sharp, reliable AF, close-focusing for product/food—paired with the 70–200mm f/2.8 DG DN OS | Sports for courts, events, and stage (excellent OS, sealed); travelers can go featherweight with the 28–70mm f/2.8 DG DN | Contemporary (prime-like size) and the 100–400mm f/5–6.3 DG DN OS | Contemporary for long reach without bulk. Ultra-wide coverage splits two ways: 14–24mm f/2.8 DG DN | Art for bright, corner-clean interiors and night, or 16–28mm f/2.8 DG DN | Contemporary for a compact, threaded-front alternative; landscapers who love filters can add the 17–50mm f/2.8 DG DN | Contemporary (E/L) as a small, close-focusing mid-range that takes standard filters. Wildlife and field sports shine with the 150–600mm f/5–6.3 DG DN OS | Sports—tough sealing, dual OS modes, limiter, custom switches—and the one-lens solution 60–600mm f/4.5–6.3 DG DN OS | Sports when you need everything from sideline to small birds; the 500mm f/5.6 DG DN OS | Sports is a prime, but pairs beautifully as a lightweight topper to the zoom spine. DSLR classics that adapt well to mirrorless (EF/Nikon F) still offer huge value: 24–70mm f/2.8 DG OS HSM | Art and 70–200mm f/2.8 DG OS HSM | Sports for event staples, 12–24mm f/4 DG HSM | Art and 14–24mm f/2.8 DG HSM | Art for rectilinear extremes, 120–300mm f/2.8 DG OS HSM | Sports for indoor field/rink speed, and 150–600mm f/5–6.3 DG OS HSM in Contemporary (lighter) or Sports (tougher) flavors for wildlife. APS-C mirrorless shooters get a gift in the 10–18mm f/2.8 DC DN | Contemporary (tiny, sharp, threaded, great for travel/real estate) and the 18–50mm f/2.8 DC DN | Contemporary (minute mid-range that color-matches and focuses close); pair either with the full-frame 100–400 DN OS on crop for surprisingly capable wildlife/airshow reach. Video-first teams should favor the DG DN zooms (24–70/2.8, 70–200/2.8 OS, 16–28/2.8, 100–400, 150–600, 60–600) for quiet drives, good breathing control, and programmable buttons; add a macro-capable prime (105/2.8 DG DN Macro) for product inserts. Practical buyer tips: build a two-zoom spine that matches your work—24–70/2.8 + 70–200/2.8 for weddings/events, 14–24/2.8 + 24–70/2.8 for interiors + people, 24–70/2.8 + 150–600 OS for travel wildlife, or 28–70/2.8 + 100–400 OS when weight rules; standardize filter sizes for one CPL/VND, choose internal-zoom lenses when you live on supports, and use teleconverters sparingly on bodies with strong AF. Shooting tips: run AF-C with a limiter for action, lock shutter speed with TAv or Manual + Auto-ISO, brace OS/IBIS for handhelds but disable stabilization on locked tripods if you see drift, use close-focus at the long end for “near-macro” details, stop ultra-wides to f/5.6–f/8 for edge discipline, and for video hold a 180° shutter with a quality VND and mind breathing on critical pulls. Whether you’re threading cathedral aisles, covering sideline to stage, hiking for landscapes, or tracking raptors at golden hour, the best Sigma zooms combine fast, confident AF, effective stabilization, and field-ready builds—so your files and footage stay sharp, consistent, and client-ready without breaking your back or your budget.

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