These are the best Rokinon lenses for wedding photography when you want fast, reliable autofocus (or long, repeatable manual throws), creamy rendering, and value that scales from prep to sparkler exit—and here’s what to look for as you buy: prioritize fast apertures for dim churches and receptions (ƒ1.4–ƒ1.8 primes, constant ƒ2.8 zooms), quiet AF motors if you shoot hybrid video, minimal focus breathing for cinematic pulls, weather resistance on AF models you’ll use outdoors, close-focus or true macro for rings and details, consistent color across your set, shared front diameters for one ND/CPL, and balanced weight for all-day handheld or gimbal work; cine shooters should favor declicked apertures, 0.8-mod gears, and matched gear positions, while Sony users can lean on the strong Samyang/Rokinon AF lineup and IBIS. Core full-frame AF primes for ceremonies and portraits: AF 35mm ƒ1.4 II (storytelling wide-normal with confident AF), AF 50mm ƒ1.4 II (first looks, dance floor, low light), AF 85mm ƒ1.4 (portrait staple with lush bokeh in a compact barrel), and AF 135mm ƒ1.8 (compressed candids from the aisle or speeches across the room); add the AF 24mm ƒ1.8 (astro/blue-hour couples, tiny and quick) or AF 18mm ƒ2.8 (featherweight interiors) for establishing frames. Zoom flexibility for all-in-one days comes from the AF 24–70mm ƒ2.8 FE (sealed, close-focusing for table details and makeup) and the AF 35–150mm ƒ2–2.8 FE when you want prime-like speed across portraits and ceremony coverage without swapping; for ultra-wides in tight chapels or dance floors, the AF 12–24mm ƒ4 FE is quiet and gimbal-friendly. Macro and detail work are covered by the Rokinon/Samyang 100mm ƒ2.8 Macro 1:1 (or the 100mm T3.1 Cine DS), delivering crisp rings, florals, stationery, and cake textures with a long, smooth throw; it doubles as a refined beauty lens. If you prefer manual precision or run cine rigs, the Cine DS/DSX set (24/35/50/85 T1.5 plus 135 T2.2) shares color and gear positions for painless swaps, while XEEN/XEEN CF primes (24/35/50/85 T1.5, 135 T2.2) add longer throws, 95mm fronts for clamp-on matte boxes, and restrained breathing for premium highlight films. Budget portrait classics that still deliver: the manual 85mm ƒ1.4 (and 85 T1.5 Cine) for creamy headshots, and the cult 135mm ƒ2 (or 135 T2.2 Cine) for outdoor compression and dreamy falloff. Practical buyer tips: build a two-prime spine you love (e.g., 35/1.4 + 85/1.4, add 50/1.4 or 135/1.8 as needed) and one workhorse zoom (24–70/2.8 or 35–150/2–2.8); keep a true macro in the bag so you aren’t faking ring shots; standardize filter sizes to speed CPL/VND swaps; test breathing on bodies you use for video (XEEN and DSX behave best); if you fly gimbals, favor lighter AF primes or the uniform-barrel V-AF series (20/24/35/45/75 T1.9) so balance stays locked between focal lengths. Shooting tips: use back-button AF with eye-detect on AF primes, set TAv or Manual + Auto-ISO to lock motion under flicker, give subjects generous distance from backgrounds for bigger, smoother bokeh, stabilize with IBIS for handheld vows and disable stabilization on a locked monopod, and pre-focus for aisle walks to boost keeper rate; for details, side-light at f/4–f/8 on the 100 macro, and for receptions run a quality VND to keep shutter near 1/50–1/100s on video. Whether you’re capturing window-light vows, rainy confetti exits, or late-night dance-floor chaos, the best Rokinon wedding lenses combine fast glass, quiet or cine-true mechanics, and consistent color—so your galleries feel cohesive, your footage cuts cleanly, and your kit stays light and dependable all day.