These are the best Hasselblad lenses for landscape photography, chosen for how they deliver rectilinear discipline, corner-to-corner acuity, neutral color, and calm handling across the modern X system and the classic H and V platforms. Landscapes are about geometry and consistency: wides that keep lines honest, teles that compress distant layers, coatings that hold contrast with the sun in frame, and mechanics (plus leaf shutters on H/V) that make slow, deliberate shooting painless. On X bodies, anchor with the XCD 21mm f/4 for true ultra-wide coverage and clean corners, add the travel-light XCD 28mm f/4 P for rectilinear cityscapes and seascapes, and keep the XCD 30mm f/3.5 or the “V” primes (XCD 38mm f/2.5 V, XCD 55mm f/2.5 V) for reportage-wide to wide-normal vistas with rich micro-contrast; the XCD 35–75mm f/3.5–4.5 zoom doubles as a landscape workhorse at its short end with prime-like sharpness when you want flexibility. For long-line layers and selective framing, the XCD 90mm f/2.5 V and XCD 135mm f/2.8 (optionally with the X Converter 1.7) bring elegant compression for ridgelines, coastal stacks, and atmospheric haze studies. H shooters (or X via XH adapter) get leaf-shutter wides that sing at sunrise: HCD 28mm f/4 for modern interiors and exteriors, HC 35mm f/3.5 for classic field-of-view discipline, and HCD 24mm where supported for dramatic ultra-wide scenes; for tele landscapes, HC 150mm f/3.2, HC 210mm f/4, and HC 300mm f/4.5 add reach with that signature Hasselblad color and smooth tonal roll-off. V-system purists—and X users via XV—have legends tailor-made for landscape geometry: the SWC’s Biogon 38mm f/4.5 for razor-straight lines, Distagon 40mm f/4 FLE and 50mm f/4 FLE for versatile wides with controlled distortion, Distagon 60mm f/3.5 as a crisp wide-normal, and long glass like the Sonnar 150mm f/4, Tele-Tessar 250mm f/5.6, and the crown-jewel 250mm Superachromat for apochromatic, color-clean compression at distance. When perspective control matters, movements elevate the kit: H users can add the HTS 1.5 to compatible HC/HCD lenses for smooth, marked tilt/shift; X shooters can adapt that combo via XH or run large-image-circle shift primes (Laowa Zero-D Shift 15/20) for parallel verticals and parallax-free stitches; for maximum rise/fall and edge discipline, a compact tech-camera (Cambo Actus in X mount, or ALPA/ARCA) with modern Rodenstock/Schneider wides brings medium-format movements to the field. Image priorities for the best Hasselblad landscape glass are clear: rectilinear rendering (or predictable, profiled distortion), low lateral CA so snow lines and branches stay neutral, coatings that resist veiling flare and ghosting around the sun, modest focus breathing for stitched sets, and tactile, repeatable focus that makes hyperfocal work predictable; central/leaf shutters (XCD/HC and many V) keep daylight-flash sync simple for balancing skies, while the X2D’s IBIS steadies careful compositions with unstabilized lenses. Workflow multiplies results—level the camera before minor keystone tweaks, work around f/5.6–f/8 for peak acuity (stack focus instead of choking past ~f/11), bracket exposures for bright horizons or interiors, and use electronic/remote release to minimize vibration; carry a slim CPL to tame water/foliage glare (use sparingly to avoid patchy skies on ultra-wides), a 3–6 stop ND for silky water/cloud motion, and soft GNDs or stitched blends for high dynamic range; for panoramas, lock exposure/white balance and rotate around the entrance pupil—or shift instead of pan—to reduce parallax. The simple kit recipe is clear: on X, anchor with XCD 21 for grand scenes, add 28P/30 (plus 38V/55V as taste dictates) and the 35–75 for flexible framing, then a 90/135 (with converter) for compression; on H, run HCD 28 or HC 35 with HTS 1.5 when you need movements and add 150/210 for long lines; on V, pair the SWC 38 Biogon with a 40/50 FLE and a 150/250 (or 250 SA when color purity is paramount). Whether you’re straightening glass-and-steel skylines, layering misty mountain ranges, balancing waves under bright sun, or stitching dawn-light panos, the best Hasselblad lenses for landscape photography deliver the geometry, contrast, and leaf-shutter control that make wide spaces read clean and intentional straight out of camera.