These are the best Fujifilm lenses for real estate photography, chosen for how they combine rectilinear discipline, corner-to-corner sharpness, controlled flare, and stable handling for interiors, exteriors, and smooth video walk-throughs on X-mount. Property work is about geometry and consistency: honest lines you don’t have to fix later, even performance at f/5.6–f/8, coatings that tame window glare, and focusing that stays predictable on a tripod or gimbal. Start with the staple: the XF 10–24mm f/4 R OIS WR is the real-estate workhorse—stabilized, sealed, and sharp across a 15–36mm-equiv range that covers tight powder rooms to broad great rooms; when you need flagship corner integrity and more speed for blended ambient/flash work, the XF 8–16mm f/2.8 R LM WR delivers dramatic ultra-wide coverage with straight lines and robust build. Prime shooters get precision with the XF 14mm f/2.8 R (cult-favorite low distortion and tactile MF clutch) and featherweight options like the XF 8mm f/3.5 R WR and Laowa 9mm f/2.8 Zero-D for pocketable, rectilinear coverage on gimbals; fast third-party wides such as the Sigma 10–18mm f/2.8 DC DN and Tokina/Tamron 11–20mm f/2.8 add modern AF and bright apertures for blue-hour exteriors and interior video. Perspective control elevates listings: Laowa’s Zero-D Shift primes (15mm/20mm, adapted) offer generous image circles and smooth movements to keep verticals parallel and enable parallax-free stitches; adapting Canon TS-E 17mm/24mm via a quality EF-to-X adapter brings fully articulated tilt/shift for high-end architectural sets. Mid-range zooms still earn a slot—the XF 16–55mm f/2.8 R LM WR provides prime-like clarity for vignettes, kitchens, and detail crops, while the XF 16–80mm f/4 R OIS WR trades a stop for lighter carry and stabilized flexibility on long days; detail finishes shine with the XF 30mm f/2.8 R LM WR Macro or XF 80mm f/2.8 R LM OIS WR Macro for fixtures, hardware, and texture cut-ins. Video-first teams should consider the XF 18–120mm f/4 LM PZ WR: power-zoom, minimal breathing, near-parfocal behavior, and quiet linear motors for silky room-to-room moves; the XF 10–24 OIS pairs perfectly with IBIS bodies for gimbal-friendly walk-throughs. Image priorities are strict: rectilinear rendering (or easy-to-profile distortion), low lateral CA so window frames stay neutral, flare resistance for sun-in-frame exteriors, and modest focus breathing for natural pulls; WR builds and well-damped rings matter when swapping between tripod, monopod, and gimbal. Workflow turns good glass into great listings—level the camera and keep verticals straight in-camera, work around 4–5 feet height for natural proportions, bracket exposures (5–9 frames) for bright windows, and blend flash/ambient as needed; use a slim circular polarizer to tame glare on stone and cabinets (watch uneven skies at ultra-wide), carry a 3–6 stop ND for motion-blurred water or crowds, and standardize filter sizes with step-up rings. Composition tips keep rooms inviting: anchor a foreground element, avoid corner crowding at the frame edges, open doors to extend sight lines, and include exterior context with a slightly longer focal length to prevent stretch. The practical kit recipe is simple—anchor with the XF 10–24mm WR for versatile rectilinear coverage, add the XF 8–16mm for flagship ultra-wide integrity, keep a shift solution (Laowa 15/20 or adapted TS-E) for premium correction and stitches, round out with the XF 16–55mm or 16–80 OIS for vignettes and details, and bring a macro for fixture close-ups. Whether you’re shooting compact condos, sprawling open-plan homes, commercial interiors, or twilight hero exteriors, the best Fujifilm lenses for real estate photography deliver the geometry, sharpness, and control that make spaces read bright, spacious, and professionally finished straight out of camera.