These are the best Canon lenses for real estate photography, chosen for their rectilinear control, edge-to-edge sharpness, filter friendliness, and stabilization so you can render straight lines, bright interiors, and twilight exteriors cleanly—whether you’re on RF mirrorless or adapting EF glass. The RF 14-35mm f/4L IS USM is the travel-friendly ultra-wide workhorse for agents and creators alike: light, sharp, stabilized, and compatible with common screw-in filters for polarizers and NDs, making it ideal for tight bathrooms, kitchens with glossy finishes, and long-exposure blue-hour exteriors; if you want more speed for dusk and mixed ambient, the RF 15-35mm f/2.8L IS USM adds prime-like corners, quiet AF, and effective IS that pairs beautifully with IBIS for handheld scouting and quick social reels. When spaces get impossibly tight or you need dramatic coverage in small condos, the RF 10-20mm f/4 L IS STM pushes rectilinear reach while keeping weight down (plan on rear gels or dedicated holders), and the tiny RF 16mm f/2.8 STM is a pocketable ultra-wide you’ll actually carry for spontaneous room sets and quick vertical video. For one-lens daytime shoots, the RF 24-105mm f/4L IS USM spans reception spaces to exterior details with reliable color and geometry, while the RF 24-70mm f/2.8L IS USM brings extra low-light headroom for twilight interiors and window-lit hallways; add the RF 70-200mm f/4L IS USM when you want compressed exterior details, landscaping accents, and elevated community amenities without lugging heavy glass. If perspective control is part of your workflow, Canon’s tilt-shifts are the pro move: TS-E 17mm f/4L for ultra-wide rooms and soaring lobbies with generous shift to hold verticals and stitch parallax-free panoramas, TS-E 24mm f/3.5L II as the filter-ready do-everything perspective lens for most interiors and exteriors, and TS-E 50mm f/2.8L Macro for amenity details, finishes, and product-level kitchen/bath vignettes where laying the focus plane beats diffraction-heavy apertures. Adapting EF glass remains a budget-savvy path with proven results: the EF 16-35mm f/4L IS USM is a real estate classic—rectilinear, sharp, stabilized, and filter-friendly—while the EF 16-35mm f/2.8L III USM brings speed and improved corner performance for dusk exteriors; the EF 17-40mm f/4L is still a durable value hiker for daylight sets, and the EF 11-24mm f/4L is the rectilinear extreme for tiny powder rooms and dramatic entryways (use a square holder for filtration). Detail work completes listings and brochures, and the RF 35mm f/1.8 Macro IS STM plus RF 24mm f/1.8 Macro IS STM (both 0.5×) are small, stabilized primes that grab fixtures, hardware, tile textures, and staging accents without swapping to a dedicated macro; for true product-level finish shots, the RF 100mm f/2.8L Macro IS USM delivers 1:1 precision and Hybrid IS for handheld inserts between room setups. Technique turns these lenses into polished deliverables: level the camera first (hot-shoe bubble or virtual horizon), keep the body square to the room, and correct verticals with shift (tilt-shifts) or gentle post transforms; stop wides to ~f/5.6–f/8 for corner discipline, use a circular polarizer conservatively on filter-friendly lenses to manage glare on countertops, stainless, and windows (rotate lightly to avoid uneven skies), and carry a 3–6 stop ND for silky water features and twilight cloud motion; bracket ±2 EV on a sturdy tripod for natural HDR blends, turn off IBIS/IS when locked down, and set a fixed Kelvin for consistent color across rooms; for window pulls, expose for exterior highlights and add fill via bounce or blend in post; for vertical video walk-throughs, combine IBIS + IS with a slim VND to hold a 180° shutter and keep focal lengths wider (14–24mm FF) for smooth, watchable motion. Simple, effective RF kits look like RF 14-35/4L for interiors, RF 24-105/4L for overall coverage, and TS-E 24mm II (adapted) when perspective control matters; a speed-first set is RF 15-35/2.8L for low light plus RF 24-70/2.8L for versatility and RF 70-200/4L for details; an EF value duo is EF 16-35/4L IS + EF 24-105/4L IS II with the option to add EF 11-24/4L for ultra-tight spaces. Whether you’re shooting luxury listings, compact rentals, hospitality suites, or architectural portfolios, Canon’s rectilinear wides, tilt-shifts, stabilized standards, and macro-capable primes provide the sharpness, control, and handling that turn real spaces into clean, inviting photographs that sell.