These are the best Canon lenses for headshot photography, chosen for their flattering focal lengths, creamy bokeh, reliable eye-detect autofocus, and color/contrast that renders skin tones beautifully whether you’re on RF mirrorless or adapting EF glass. The RF 85mm f/1.2L USM is the statement headshot lens—razor-sharp on eyes with luxurious background melt and micro-contrast that flatters makeup and skin—while the RF 85mm f/2 Macro IS STM delivers a lighter, budget-friendlier take with stabilization and close focus for lashes, jewelry, and fabric details. When you want a little more working distance and sculptural compression, the RF 135mm f/1.8L IS USM is a cover-grade choice: fast, stabilized, and exceptionally crisp with bokeh that looks expensive; for tighter spaces or a natural perspective, the RF 50mm f/1.2L USM (or the tiny RF 50mm f/1.8 STM) gives luminous, classic head-and-shoulders frames with easy subject engagement. Zoom shooters who bounce between tight and three-quarter framing will love the RF 70-200mm f/2.8L IS USM—compact, balanced, and pin-sharp across the range—or the RF 28-70mm f/2L USM, which behaves like a set of fast primes in one body for location work; the RF 24-70mm f/2.8L IS USM adds stabilization and close focus for quick environmental headshots and detail cutaways. For clinical sharpness and texture studies, the RF 100mm f/2.8L Macro IS USM doubles as a phenomenal headshot tool with Hybrid IS and an SA Control ring that lets you tune blur character from modern bite to gentler glow; the RF 35mm f/1.8 Macro IS STM and RF 24mm f/1.8 Macro IS STM can handle environmental portraits when you want more context without stepping back. Adapting EF classics remains a smart, budget-savvy move: the EF 85mm f/1.8 USM is a lightweight headshot staple with quick AF, the EF 85mm f/1.4L IS USM adds stabilization and refined rendering, the EF 100mm f/2 is a sleeper choice with flattering compression, the EF 135mm f/2L USM is legendary for airy separation, and the EF 70-200mm f/2.8L IS II/III plus EF 100mm f/2.8L Macro IS USM round out zoom and macro-driven approaches that adapt perfectly to R bodies. Practical setup matters as much as glass: use eye-detect AF with a single small zone, start around f/1.8–f/2.5 for classic headshots (stop to f/2.8–f/4 for full shoulders or duo frames), keep shutter near 1/160–1/250 to freeze micro-movements, and lean on IS for ambient window light; choose 85–135mm for maximum flattery and background control, 50mm when space is tight or you want more rapport, and 70–200mm when you need quick reframes without moving your feet. For light shaping, position subjects slightly off-window with negative fill on the shadow side for sculpt, add a subtle kicker/hair light for separation, and shoot with consistent Kelvin for repeatable skin tone; keep backgrounds several feet behind your subject to maximize blur, and watch for color casts in reflective environments. A simple, high-impact RF headshot kit is RF 85mm f/1.2 (or RF 85mm f/2) for hero portraits, RF 135mm f/1.8 for compression and tighter crops, and RF 70-200mm f/2.8 for versatility; swap in RF 50mm f/1.2 or RF 50mm f/1.8 for small rooms, or run RF 100mm f/2.8L Macro when you want immaculate detail and controllable bokeh character. Whether you’re building crisp corporate headshots, cinematic creative portraits, or natural-light editorials, Canon’s fast portrait primes, versatile telezooms, and macro options deliver the focusing confidence, flattering perspective, and polished rendering that make faces look their best.