Viltrox AF 75mm F1.2 Pro❤️8.9K | Type
Focal Length75mmLens Mount
Features
| |
Viltrox AF 135mm F1.8 Lab❤️8.8K | Type
Focal Length135mmLens Mount
Features
| |
Viltrox AF 85mm F1.8 II❤️8.3K | Type
Focal Length85mmLens Mount
Features
|
Best Viltrox Telephoto Lenses in 2025
* Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon.com at the time of purchase will apply to the purchase of this product.
* Imaginated.com may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. Learn more here.
These are the best Viltrox telephoto lenses when you want fast, confident AF, flattering compression, smooth bokeh, and reliable handling for portraits, events, stage, indoor sports-from-the-stands, wildlife parks, and travel candids—and here’s what to look for as you buy: prioritize fast apertures for subject separation (ƒ1.2–ƒ1.8 on primes; ƒ2.8 on macro), linear/quiet AF with good subject/eye detection, short minimum focus for tighter frames from the same spot, restrained longitudinal CA so highlight edges don’t fringe, and sensible weight so you can handhold longer; if you film, favor lenses with minimal focus breathing and linear-response MF, and keep front diameters consistent so one slim VND (plus a mild 1/8 diffusion if you like halation) covers the kit; pair with bodies that have strong IBIS since Viltrox tele primes are generally unstabilized. Full-frame tele heroes: AF 135mm ƒ1.8 (creamy compression and quick AF for outdoor portraits, stage, and low-light tele looks—prime bokeh monster), AF 85mm ƒ1.8 II (workhorse portrait/event lens with dependable AF and pleasing skin tones), AF 50mm ƒ1.8 isn’t a true tele but serves as a compact short tele on APS-C or a tighter normal on full-frame when you want speed in a tiny package, and AF 100mm ƒ2.8 Macro (true 1:1 with elegant micro-contrast that doubles as a flattering beauty/tele-portrait lens). APS-C tele standouts: AF 75mm ƒ1.2 Pro (flagship shallow-DOF look with fast, sticky AF—studio, weddings, available-light portraits), AF 56mm ƒ1.4 (classic short-tele portrait perspective in a lightweight body), and the AF 85mm ƒ1.8 II in X/Z/E mounts on crop for extra reach; wide-aperture normals like AF 33mm ƒ1.4 or AF 50mm ƒ1.8 behave as short teles on Micro Four Thirds/various crops—handy for events in tight spaces. Practical buyer tips: build a two-prime spine (135/1.8 + 85/1.8 for full-frame portraits/events or 75/1.2 + 56/1.4 on APS-C) and add the 100/2.8 Macro for beauty/product and detail cutaways; standardize thread sizes with step-up rings so one VND/diffusion fits everything, keep an Arca plate and compact monopod for long days, and test AF tracking/eye detect on your body in backlight and LED venues before a paid gig; lighter glass usually yields steadier hands and higher keeper rates. Tele-shooting tips: for people/events run Manual or TAv with Auto-ISO and a minimum shutter (~1/200–1/250s for posed, 1/500–1/1000s for action), work near wide open and stop 1/3–2/3 stop for eyelash-sharp faces with smooth falloff, use Eye AF with a flexible zone and mind background distance (1–3 m) for clean bokeh; for indoor courts or stage start around 1/800–1/2000s and let ISO float rather than let motion smear, and angle lights/flash to avoid specular CA; for video, lock a 180° shutter with a quality VND, set AF transition speed/sensitivity to taste or pull manual with linear MF, enable breathing compensation where supported, and avoid stacking filters that invite flare; whether you’re crafting golden-hour portraits, covering ceremonies from the aisle, capturing stage emotion, or compressing city layers from across the street, the best Viltrox telephoto choices combine fast apertures, confident AF, pleasing rendering, and compact ergonomics—so your subjects pop, your backgrounds melt, and your keeper rate climbs.
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Image | Name | Type | Focal Length | Lens Mount | Features | Price |
---|---|---|---|---|---|---|
Viltrox AF 75mm F1.2 Pro❤️ 8.9K |
| 75mm |
|
| Price Updated from Amazon: 12-06-2024 | |
Image | Name | Type | Focal Length | Lens Mount | Features | Price |
Viltrox AF 135mm F1.8 Lab❤️ 8.8K |
| 135mm |
|
| Price Updated from Amazon: 12-06-2024 | |
Image | Name | Type | Focal Length | Lens Mount | Features | Price |
Viltrox AF 85mm F1.8 II❤️ 8.3K |
| 85mm |
|
| Price Updated from Amazon: 12-06-2024 |
Best Viltrox Telephoto Lenses in 2025
* Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon.com at the time of purchase will apply to the purchase of this product.
* Imaginated.com may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. Learn more here.
These are the best Viltrox telephoto lenses when you want fast, confident AF, flattering compression, smooth bokeh, and reliable handling for portraits, events, stage, indoor sports-from-the-stands, wildlife parks, and travel candids—and here’s what to look for as you buy: prioritize fast apertures for subject separation (ƒ1.2–ƒ1.8 on primes; ƒ2.8 on macro), linear/quiet AF with good subject/eye detection, short minimum focus for tighter frames from the same spot, restrained longitudinal CA so highlight edges don’t fringe, and sensible weight so you can handhold longer; if you film, favor lenses with minimal focus breathing and linear-response MF, and keep front diameters consistent so one slim VND (plus a mild 1/8 diffusion if you like halation) covers the kit; pair with bodies that have strong IBIS since Viltrox tele primes are generally unstabilized. Full-frame tele heroes: AF 135mm ƒ1.8 (creamy compression and quick AF for outdoor portraits, stage, and low-light tele looks—prime bokeh monster), AF 85mm ƒ1.8 II (workhorse portrait/event lens with dependable AF and pleasing skin tones), AF 50mm ƒ1.8 isn’t a true tele but serves as a compact short tele on APS-C or a tighter normal on full-frame when you want speed in a tiny package, and AF 100mm ƒ2.8 Macro (true 1:1 with elegant micro-contrast that doubles as a flattering beauty/tele-portrait lens). APS-C tele standouts: AF 75mm ƒ1.2 Pro (flagship shallow-DOF look with fast, sticky AF—studio, weddings, available-light portraits), AF 56mm ƒ1.4 (classic short-tele portrait perspective in a lightweight body), and the AF 85mm ƒ1.8 II in X/Z/E mounts on crop for extra reach; wide-aperture normals like AF 33mm ƒ1.4 or AF 50mm ƒ1.8 behave as short teles on Micro Four Thirds/various crops—handy for events in tight spaces. Practical buyer tips: build a two-prime spine (135/1.8 + 85/1.8 for full-frame portraits/events or 75/1.2 + 56/1.4 on APS-C) and add the 100/2.8 Macro for beauty/product and detail cutaways; standardize thread sizes with step-up rings so one VND/diffusion fits everything, keep an Arca plate and compact monopod for long days, and test AF tracking/eye detect on your body in backlight and LED venues before a paid gig; lighter glass usually yields steadier hands and higher keeper rates. Tele-shooting tips: for people/events run Manual or TAv with Auto-ISO and a minimum shutter (~1/200–1/250s for posed, 1/500–1/1000s for action), work near wide open and stop 1/3–2/3 stop for eyelash-sharp faces with smooth falloff, use Eye AF with a flexible zone and mind background distance (1–3 m) for clean bokeh; for indoor courts or stage start around 1/800–1/2000s and let ISO float rather than let motion smear, and angle lights/flash to avoid specular CA; for video, lock a 180° shutter with a quality VND, set AF transition speed/sensitivity to taste or pull manual with linear MF, enable breathing compensation where supported, and avoid stacking filters that invite flare; whether you’re crafting golden-hour portraits, covering ceremonies from the aisle, capturing stage emotion, or compressing city layers from across the street, the best Viltrox telephoto choices combine fast apertures, confident AF, pleasing rendering, and compact ergonomics—so your subjects pop, your backgrounds melt, and your keeper rate climbs.
Lenses by brand:
- Best 7Artisans Telephoto Lenses
- Best Canon Telephoto Lenses
- Best Fujifilm Telephoto Lenses
- Best Hasselblad Telephoto Lenses
- Best Leica Telephoto Lenses
- Best Nikon Telephoto Lenses
- Best Olympus Telephoto Lenses
- Best Panasonic Telephoto Lenses
- Best Pentax Telephoto Lenses
- Best Rokinon Telephoto Lenses
- Best Sigma Telephoto Lenses
- Best Sony Telephoto Lenses
- Best Tamron Telephoto Lenses
- Best Tokina Telephoto Lenses
- Best Viltrox Telephoto Lenses
- Best Voigtlander Telephoto Lenses
- Best Zeiss Telephoto Lenses
Lenses by price:
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Lenses by sensor:
Lenses by feature:
Lenses by use case:
Lenses by experience:
Cameras: