These are the best Sony lenses for studio photography when you want neutral color, precise micro-contrast, reliable Eye AF, and controllable perspective for headshots, beauty, fashion, e-comm flats, and product heroes—and here’s what to look for as you buy: prioritize primes and constant-ƒ2.8 zooms with clean longitudinal CA, smooth but not busy bokeh, flat fields (for products), accurate color, and quiet linear/XD AF that behaves under flash modeling lights; choose lenses that are razor at ƒ5.6–ƒ11, show minimal focus breathing if you film BTS, and share front diameters so one diffusion filter (⅛–¼) and one slim CPL (used sparingly) fit the kit; stabilization is secondary on sticks, but OSS pairs nicely with IBIS for handheld looks; internal focus/zoom helps with matte boxes and gimbals, and weather sealing shrugs off haze, hairspray, and flare from grids. Full-frame prime heroes: FE 85mm ƒ1.4 GM (classic studio portrait compression with creamy falloff), FE 50mm ƒ1.4 GM (full-body and three-quarter with natural perspective), FE 35mm ƒ1.4 GM (environmental sets and fashion flats), FE 135mm ƒ1.8 GM (editorial-crisp headshots and beauty with luxurious separation), FE 90mm ƒ2.8 Macro G OSS (beauty, jewelry, fabric weave, product detail), and FE 100mm ƒ2.8 STF GM OSS (apodized bokeh for luxury campaigns—use where light allows); value standouts: FE 85mm ƒ1.8 and FE 55mm ƒ1.8 ZA. Zoom workhorses: FE 24–70mm ƒ2.8 GM II (bread-and-butter studio range—prime-like sharpness, stellar close-focus for accessories), FE 70–200mm ƒ2.8 GM OSS II (tight headshots to half-body without moving lights, beautiful rendering), FE 70–200mm ƒ4 Macro G II (lighter with 0.5× for detail cutaways), FE 16–35mm ƒ2.8 GM II (sets, interiors, large props), and FE 24–105mm ƒ4 G (do-it-all for catalog days with reliable OSS); specialty product tools: Laowa 90mm/100mm 2× APO for ultra-close precision and the Laowa 24mm 2× Probe for impossible perspectives inside scenes. APS-C shooters get polished studio results with E 35mm ƒ1.8 OSS (52-eq “normal”), E 50mm ƒ1.8 OSS (75-eq portrait), E 16–55mm ƒ2.8 G (pro mid-range), and FE 90 Macro on crop for beauty/product; compact primes like FE 40mm ƒ2.5 G and FE 50mm ƒ2.5 G stay tiny for small sets. Practical buyer tips: build a three-lens spine (24–70/2.8 + 70–200/2.8 + 90 Macro) and add a favorite prime (85/1.4 or 135/1.8) for signature looks; standardize to one diffusion filter for halation on skin and keep a slim CPL for glass/gloss—rotate gently to retain “shape” in highlights; favor lenses with repeatable MF feel and clear scales for rack-focus on video; if you adapt tilt/shift (Canon TS-E), mount on a sturdy head and lock everything before live view micro-adjustments. Studio shooting tips: lock shutter to sync (1/160–1/250s), set ISO low for maximum latitude, choose apertures by subject (ƒ8–ƒ11 for product/flats; ƒ4–ƒ5.6 for portraits; ƒ2–ƒ2.8 for dreamy fashion), use Eye AF with a small flexible zone, and micro-adjust lights rather than over-polishing in post; tether for color control, profile with a ColorChecker, and keep lenses spotless—dust blooms under hard kickers; position lights for clean catchlights (clamshell/beauty dish + fill), add negative fill to carve jawlines, and use flags to sculpt speculars on glossy product; for video/BTS, hold a 180° shutter with VND, enable breathing compensation, and favor internal zooms for smooth framing moves; whether you’re crafting agency headshots, glossy cosmetics campaigns, high-volume catalog, or stylized fashion sets, the best Sony lenses for studio photography combine neutral, disciplined optics with confident AF and ergonomic handling—so skin reads luminous, products look premium, and your files land sharp, clean, and client-ready.