These are the best Sony lenses for product photography when you want neutral color, razor micro-contrast, flat fields, and controllable speculars for ecommerce, catalog, packaging, and glossy hero images—and here’s what to look for as you buy: prioritize true macro (1:1 or higher) with apochromatic correction to tame purple/green fringing, generous working distance so lights/flags fit, smooth manual-focus throw with a readable scale, minimal focus breathing for video, and strong sharpness at ƒ5.6–ƒ11; stabilization helps casual handhelds, but on sticks you’ll live in MF and disable OSS/IBIS; favor lenses that share front diameters so one top-tier CPL (and cross-polarization setup) plus a VND for video fits your kit, and choose internal focus/zoom for balance on stands and arms. Full-frame macro heroes: FE 90mm ƒ2.8 Macro G OSS (benchmark—biting detail, excellent CA control, OSS, generous working distance), FE 50mm ƒ2.8 Macro (tight sets and flat-lays with natural perspective), and FE 70–200mm ƒ4 Macro G II (0.5× across the range, close-focus versatility for bottles, watches, tech); third-party E-mount stunners: Sigma 105mm ƒ2.8 DG DN Macro Art (APO-like discipline, lovely handling), Laowa 90mm ƒ2.8 2× Ultra Macro APO and Laowa 100mm ƒ2.8 2× APO (reach 2:1 without tubes), and the Laowa 24mm ƒ14 2× Probe (impossible perspectives inside sets and product interiors); for lifestyle product with luxurious blur, FE 100mm ƒ2.8 STF GM OSS delivers velvety bokeh (not a macro, but sublime rendering). Zoom workhorses for sets and context: FE 24–70mm ƒ2.8 GM II (prime-like close-focus for hands, textures, labels), FE 24–105mm ƒ4 G (do-it-all with reliable OSS and useful MFD), FE PZ 16–35mm ƒ4 G (overheads and smooth video walk-throughs with minimal breathing), and FE 70–200mm ƒ2.8 GM OSS II when you need compression and subject isolation for premium hero shots. APS-C shooters get clean, professional results with E 30mm ƒ3.5 Macro (true 1:1 in small spaces), E 35mm ƒ1.8 OSS (52-eq everyday product + stabilization), E 16–55mm ƒ2.8 G (pro mid-range), and FE 90 Macro on crop for extra reach on tiny items; Sigma 70mm Macro (DN/adapter) is an affordable sharp alternative. Practical buyer tips: build a two-lens spine (FE 90 Macro + 24–70/2.8 or Sigma 105 Macro + 70–200/4 Macro G II) and add a specialty tool (Laowa 2× or Probe) if your brief demands it; standardize thread sizes, run cross-polarization (linear polarizing gels on lights + CPL on lens) to tame metal/ceramic glare while keeping “life” in highlights, and favor APO-corrected glass to cut retouching time; add a geared macro rail, quick-release plates for stands, and a small flag kit (white/black cards) to sculpt edges. Product-shooting tips: tether, mount on a sturdy tripod, kill IBIS/OSS, switch to MF with peaking + magnification, and stack 5–40 frames at ƒ5.6–ƒ8 for deep detail without diffraction; level sensor to subject plane for flats, use large diffusers for soft wrap and black flags (negative fill) to define form, set custom WB/ColorChecker for accurate color, and clean relentlessly (blower, microfiber, putty); deploy a CPL lightly on glossy plastics and ceramics (rotate to reduce hotspots but preserve shape), avoid heavy CPL on gemstones that rely on internal reflection, and prefer short, controlled sources for “sparkle” accents; for video, hold 1/50–1/60s with VND, use rails for precise MF pulls, enable breathing compensation, and keep moves small; whether you’re crafting white-seamless ecommerce, luxe cosmetics heroes, tech product reveals, or lifestyle sets on location, the best Sony lenses for product photography combine apochromatic macro optics, consistent handling, and disciplined light control—so edges read clean, colors stay truthful, and your products look premium and precise.