These are the best Sony lenses for bokeh when you want luxurious background melt, round specular highlights, and flattering compression for portraits, weddings, lifestyle, product beauty, and cinematic video—and here’s what to look for as you buy: favor fast apertures (ƒ1.2–ƒ1.8 for primes; constant ƒ2.8 for zooms), rounded/high blade counts that keep circles round as you stop down, low axial CA to avoid magenta/green fringing in blur, minimal “onion-ring” texture from aspherics, gentle mechanical vignetting (reined-in cat’s-eye shapes toward the edges), close-focus for larger blur disks at the same framing, and focal lengths that compress (85–135mm FF is the sweet spot); video shooters should check breathing and pick lenses with linear, quiet motors, while travelers can balance speed with carry weight. Full-frame portrait royalty: FE 85mm ƒ1.4 GM (plush, painterly falloff with fast eye-AF), FE 135mm ƒ1.8 GM (razor eyes with creamy backgrounds and beautiful edge behavior), and FE 50mm ƒ1.2 GM or FE 50mm ƒ1.4 GM (modern normals with smooth, neutral bokeh and confident AF); wide-normal separation with character comes from the FE 35mm ƒ1.4 GM (dramatic environmental blur without nervous edges). The specialty bokeh master is the FE 100mm ƒ2.8 STF GM OSS—its apodization filter yields uniquely velvety, halo-free highlights and “melted” transitions (note the T5.6 light transmission), perfect for fashion/beauty and romantic portraits. Macro with creamy roll-off: FE 90mm ƒ2.8 Macro G OSS draws clean, rounded speculars while keeping detail crisp for jewelry, lashes, and product-in-portrait shots. Zooms that blur beautifully: FE 70–200mm ƒ2.8 GM OSS II (buttery rendering across the range, outstanding for ceremonies and stage), FE 24–70mm ƒ2.8 GM II (smooth mid-tele backgrounds at 70mm for weddings and lifestyle), and FE 100–400mm ƒ4.5–5.6 GM OSS, which leans on compression to produce elegant blur for outdoor portraits and events even at slower apertures. Value sleepers with lovely bokeh: FE 85mm ƒ1.8 (light, affordable, great highlight shape), FE 55mm ƒ1.8 ZA (creamy normals with punchy micro-contrast), and FE 50mm ƒ1.8 (budget glow at wide apertures). APS-C shooters get sweet blur from E 50mm ƒ1.8 OSS (portrait staple with stabilization), E 35mm ƒ1.8 OSS (gentle bokeh, compact), and the premium E 24mm ƒ1.8 ZA (silky environmental look)—all quiet and eye-AF friendly. Practical buyer tips: on full frame, anchor with an 85/1.4 GM or 135/1.8 GM and add a fast 50 (1.2 or 1.4) for versatility; if you love ultra-smooth highlight disks and gentle edges, pick the 100 STF GM for signature rendering; if you shoot events, a 24–70/2.8 GM II plus one fast prime (50/1.2 or 85/1.4) covers almost every bokeh need; standardize front diameters for one diffusion filter/VND, and choose GM/G glass with linear AF for the cleanest focus transitions on video. Shooting tips: give subjects generous distance from the background to grow blur, shoot near wide open and stop 1/3–2/3 stop for eyelash-level crispness without losing cream, align bright speculars behind your subject for pleasing round bokeh balls, use longer focal lengths (100–135mm) for compressed, dreamy layers, mind minimum focus distance to avoid nervous edges, and enable breathing compensation on supported bodies; for video, hold a 180° shutter with a quality VND and set AF transition speed to slow for elegant racks. Whether you’re crafting luminous headshots, romantic wedding portraits, cozy lifestyle scenes, or glossy beauty product frames, the best Sony bokeh lenses combine fast glass, disciplined aberration control, and quiet, confident AF—so your backgrounds melt away and your subjects pop with a refined, cinematic glow.