These are the best Rokinon lenses for landscape photography when you want dramatic perspective, disciplined geometry, and big value for dawn-to-blue-hour shooting—across full-frame, APS-C, and Micro Four Thirds—and here’s what to look for as you buy: prioritize rectilinear designs with low distortion (easier pano stitching and clean horizons), strong flare resistance and attractive sunstars (blade count/shape matters for starbursts), tight corner performance at working apertures (f/5.6–f/8), low coma if you also do nightscapes, filter friendliness (threaded fronts vs bulbous elements that need 100mm holders or rear gels), a long, smooth manual-focus throw for hyperfocal pulls (or quiet, reliable AF if you shoot hybrid), consistent color/contrast across your set, reasonable weight for long hikes, and weather resistance if you’re often in spray or dust; cine shooters should favor declicked apertures and 0.8-mod gears for exposure ramps and repeatable focus. Full-frame anchors start with the classic Rokinon 14mm f/2.8 (also as AF and Cine T3.1): huge view for waterfalls, slot canyons, and interiors at backpack prices—profile distortion once and you’re set; the premium XP 14mm f/2.4 cleans up corners and boosts micro-contrast for big prints; the sleeper 20mm f/1.8 (and 20mm T1.9 Cine) adds speed for blue hour with a silky focus ring, while the AF 18mm f/2.8 FE and AF 24mm f/1.8 FE (with astro-focus aid) are featherweight travel wides that balance perfectly and accept simple screw-in filters. For environmental details and stitched vistas, the Rokinon/Samyang 24mm f/1.4 and 35mm f/1.4 (also as Cine DS/DSX T1.5) bring fast glass and long throws—great for starry foregrounds, city twilight, and multi-row panos; if you want constant-aperture versatility for stills + video, the AF 24–70mm f/2.8 FE is a strong mid-range zoom with close-focus for texture inserts, and the manual 14–24mm f/2.8 (EF/F) gives bright FF ultra-wide coverage with predictable projection for architecture and night. APS-C/MFT travelers get a gem in the Rokinon/Samyang 12mm f/2.0 NCS CS (E/X/MFT) or the AF 12mm f/2 E (Sony): tiny, filter-threaded, low coma—perfect for trails and timelapse; DSLR APS-C shooters can lean on the 10mm f/2.8 for rectilinear drama or the 16mm f/2.0 for a fast storytelling wide with punchy micro-contrast, both with Cine T2.2 counterparts that keep gear positions consistent. For cine-style landscape sets and gimbal moves, XEEN/XEEN CF wides (14mm T3.1, 16mm T2.6, 24mm T1.5) add long, repeatable throws, restrained breathing, and 95mm fronts for clamp-on matte boxes while staying reasonably light in the CF versions. Practical buyer tips: pick your anchor focal by terrain—14–16mm for maximum drama and tight interiors, 18–20mm for balanced foreground + sky, 24–35mm for environmental frames and mosaics; if you love long exposures and grads, choose threaded fronts (12/2, 18/2.8, 20/1.8, 24/1.8) or budget for a 100mm holder on bulbous lenses (14/2.8, 14–24/2.8); standardize filter sizes where possible; if you hike far, the AF 18/2.8 or 12/2 APS-C keeps weight down without sacrificing quality; and if you mix stills/video, consider Cine DS/DSX or XEEN CF for declicked iris and matched gear. Field tips: use hyperfocal at f/5.6–f/8 for fast “raise-and-shoot” ridgelines, shade bulbous fronts to tame sunballs, bracket exposures for high-contrast skies, stop down 1/3–2/3 stop from wide open if corners need discipline, level the camera and correct with a touch of perspective in post, and carry a polarizer for foliage/water (plus a soft/medium grad if you work with holders). Whether you’re threading cathedral aisles, stacking mountain layers at 24–35mm, or mapping the Milky Way over sea stacks at 14–20mm, the best Rokinon landscape lenses combine fast, disciplined optics, smart filter support, and hike-friendly weight—so you move faster, shoot longer, and bring home files that stitch, grade, and print beautifully.