These are the best Olympus lenses for landscape photography when you want edge-to-edge sharpness, controlled distortion, and weather-sealed reliability in a packable kit that thrives on wind-blasted ridgelines, misty forests, and coastal sunrises. Ultra-wide is the landscape backbone: the M.Zuiko Digital ED 7–14mm f/2.8 PRO (14–28mm equiv.) delivers dramatic perspectives, tight interior canyon shots, and clean star points at f/2.8 for blue-hour scenes; its bulbous front element resists flare but requires specialized holders for square filters, so filter-friendly shooters often reach for the M.Zuiko Digital ED 8–25mm f/4 PRO (16–50mm equiv.), which accepts common screw-in filters, covers everything from sweeping foregrounds to normal views, and travels as a one-lens mountain solution. Featherweight options like the M.Zuiko Digital ED 9–18mm f/4–5.6 (18–36mm equiv.) keep day-hike kits light while remaining rectilinear for architecture and cityscapes, and classic primes like the M.Zuiko 12mm f/2 (24mm equiv.) offer compact speed for handheld twilight with pleasing sunstars stopped down. For mid-range versatility, the M.Zuiko Digital ED 12–40mm f/2.8 PRO II (24–80mm equiv.) is the do-everything workhorse with close-focus “near-macro” for foreground flowers and rocks, zero-nonsense weather sealing, and consistent color; the M.Zuiko Digital ED 12–45mm f/4 PRO (24–90mm equiv.) brings the same pro rendering in an even smaller, lighter shell that pairs beautifully with IBIS for tripod-free long exposures. If you want a single lens that can hike all day and still frame distant peaks, the M.Zuiko Digital ED 12–100mm f/4 IS PRO (24–200mm equiv.) adds in-lens IS that syncs with OM bodies for buttery, gimbal-like stabilization, letting you shoot silky waterfalls with Live ND and stitchable panoramas—all without swapping glass. Prime shooters who love micro-contrast and low-light color will gravitate to the M.Zuiko Digital ED 20mm f/1.4 PRO (40mm equiv.) for story-driven scenes at dawn, while the M.Zuiko Digital ED 17mm f/1.2 PRO (34mm equiv.) renders foreground-to-background transitions gracefully when you want depth with a hint of subject isolation. Telephoto compression is a landscape superpower: the M.Zuiko Digital ED 40–150mm f/4 PRO (80–300mm equiv.) packs easily for layering ridgelines and pulling graphic shapes from distant dunes, and the M.Zuiko Digital ED 40–150mm f/2.8 PRO adds speed and focus limiter precision for atmospheric, backlit drama; add the MC-14 teleconverter for tighter frames without extra weight. For creative sky-domes and all-sky aurora, the M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO (16mm equiv.) captures immersive arcs that “de-fish” well in post while shrugging off spray and sleet. Across the lineup, ZERO coatings maintain contrast shooting into the sun, rounded diaphragms keep sunstars and highlight transitions clean when you stop down, and close-focus behavior on many lenses turns pebbles, driftwood, and alpine blooms into powerful anchors that lead the eye into the frame. Pair any of these with OM-1/OM-5 features—class-leading IBIS for tripod-light travel, Live ND for motion without filters, Handheld High Res for billboard-level detail on windy summits, Focus Bracketing/Stacking for corner-to-corner sharpness—and you can work quickly as light changes. To choose wisely: go 7–14mm or 8–25mm when ultra-wide drama and filter use matter; pick 12–40mm PRO II or 12–45mm PRO for all-day hiking balance; choose 12–100mm IS PRO if you want one lens that covers sunrise to moonrise; carry the 20mm f/1.4 PRO for twilight color and intimate landscapes; and add a 40–150mm (with MC-14 if needed) to compress layers and isolate weather windows on distant peaks. Whether you’re framing tide pools under blazing sunstars, painting rivers into ribbons with Live ND, or stacking razor-sharp alpine panoramas in shifting wind, the best Olympus lenses for landscape photography combine rugged sealing, precise optics, and travel-light handling—so you can move faster, shoot longer, and bring home files that print big and clean.