These are the best Nikon lenses for landscape photography, chosen for how they deliver rectilinear calm, corner-to-corner acuity, weather-ready handling, and filter-friendly designs across modern Z bodies and adaptable F-mount classics—so mountains, coastlines, forests, and city horizons read clean and intentional. Landscape work is about geometry, flare control, and tonal headroom: wides that keep lines honest and accept filters, primes that stay crisp into the corners for big prints, and mid-tele options for compressed layers and atmospheric perspective. On Z full-frame, anchor with the NIKKOR Z 14–30mm f/4 S—the unicorn ultra-wide that takes standard screw-in filters at 14mm—add the Z 14–24mm f/2.8 S when you want flagship sharpness, rear-gel convenience, and night-sky speed, and carry the compact Z 17–28mm f/2.8 for travel-light dusk interiors and blue-hour streets; prime staples include the Z 20mm f/1.8 S and Z 24mm f/1.8 S for edge-discipline and sunstar control, plus the Z 35mm f/1.8 S as a storytelling wide-normal with tidy distortion. For one-lens hikes and road trips, the Z 24–120mm f/4 S is a color-consistent, close-focusing workhorse, while the Z 24–70mm f/2.8 S brings prime-like bite and minimal breathing for hybrid shooters; compression and ridge layering shine with the Z 70–200mm f/2.8 S (teleconverter-ready) and the Z 100–400mm f/4.5–5.6 S, both sharp, sealed, and excellent for distant peaks, trees, and weather drama. Macro detail—lichen, ice, wildflowers—deserves the NIKKOR Z MC 105mm f/2.8 VR S for flat-field acuity and graceful bokeh that pairs beautifully with IBIS in wind-sheltered pockets. Z DX hikers get featherweight coverage in the Z DX 12–28mm f/3.5–5.6 PZ VR (stabilized, great for video walk-throughs) and the surprisingly crisp Z DX 16–50mm VR, with the Viltrox 13mm f/1.4 Z as the fast APS-C night/aurora hero. Via FTZ, F-mount legends remain superb value: AF-S 14–24mm f/2.8G for classic ultra-wide sharpness (use a square holder), AF-S 16–35mm f/4G VR for filter-friendly seascapes and dusk handhelds, AF-S 18–35mm f/3.5–4.5G for featherweight range, primes like AF-S 20/1.8G, 24/1.8G, and 28/1.8G for clean corners and neutral color, and mid-tele greats—AF-S 70–200mm f/4G VR or 70–200mm f/2.8G/FL—plus the AF-S 200–500mm f/5.6E VR for wildlife-laced vistas. Perspective control elevates architecture-in-landscape sets: Laowa 15mm f/4.5 Zero-D Shift and 20mm f/4 Zero-D Shift (Z) provide generous rise with straight lines and smooth rotation for stitched panoramas without parallax headaches. Image priorities that make these “best” in the field are consistent: low, easily profiled distortion; restrained lateral CA so branches and rooflines stay clean; coatings that resist veiling flare and ghosting with sun in frame; sensible front diameters for simple CPL/ND workflows; and sealed barrels for sand, spray, and alpine weather. Technique turns good glass great—level before you shift or correct, shoot around f/5.6–f/8 for peak acuity (stack focus instead of stopping past ~f/11), use a sturdy tripod and rotate around the entrance pupil for multi-row panos, bracket exposures for dynamic skies and reflective water, standardize a slim CPL to tame glare on wet rock and leaves (use sparingly to avoid blotchy skies), carry a 3–10 stop ND for silky water/cloud motion, and add a soft diffusion or reverse grad when the horizon glows; for night work, favor the 14–24/2.8 S or 20/1.8 S and follow the NPF rule for tight stars. Practical kit recipes are simple: ultralight Z hike—14–30/4 S + 24–120/4 S with a CPL and 6-stop ND; speed + astro—14–24/2.8 S + 20/1.8 S and 70–200/2.8 S for layered peaks; compression days—24–120/4 S + 100–400 S; DX trek—12–28 PZ VR + 16–50 VR with Viltrox 13/1.4 for nights; FTZ value—16–35/4 VR + 20/1.8G (or 14–24/2.8G) and 70–200/4G. Whether you’re framing granite under storm light, stitching city skylines at blue hour, tracing tide pools with long exposures, or layering tele landscapes at sunrise, the best Nikon landscape lenses deliver geometry, flare discipline, and portable, weather-tough handling that make big scenes print clean, deep, and beautifully intentional.