These are the best macro lenses for video when you want silent focus, stable framing, clean color, and smooth bokeh for product b-roll, food, beauty, jewelry, textures, and nature inserts—and here’s what to look for as you buy: prioritize quiet linear AF motors with a focus limiter (less hunting), minimal focus breathing or body-level breathing compensation, internal focusing for balance on gimbals, de-clickable or finely stepped apertures (or true T-stops), long-throw manual focus with repeatable marks, and stabilization (OSS/IS/VR/OIS or solid IBIS pairing); consider cine-macro versions if you pull focus a lot (geared rings, consistent front diameter), and note that light and diffusion matter more than an extra third stop at macro distances. Full-frame video heroes (photo-style with great AF): Sony FE 90mm ƒ2.8 Macro G OSS (quiet, reliable OSS, excellent optics), Canon RF 100mm ƒ2.8L Macro IS USM (Hybrid IS, SA Control to tune glow vs bite, fast AF), Canon EF 100mm ƒ2.8L IS USM (budget-friendly stabilized classic on adapters), Nikon Z MC 105mm ƒ2.8 VR S (low LoCA, VR, confident AF), Sigma 105mm ƒ2.8 DG DN Macro Art (mirrorless-optimized, disciplined breathing and crisp edges), Tamron SP 90mm ƒ2.8 Di VC USD F017/F004 (quiet VC and smooth rendering), and Laowa 100mm ƒ2.8 2× APO (manual, gorgeous APO color—pair with rails and lights). Cine-macro standouts for controlled sets: Laowa 100mm T2.9 2× Ultra Macro APO Cine (FF, 0.5–2× with gears, minimal breathing), Laowa 90mm T2.9 2× Ultra Macro APO Cine (FF compact, excellent for tabletop rigs), Laowa 65mm T2.9 2× Macro APO Cine (S35, tiny with long throw), and the Laowa 24mm T14 2× Macro Probe (unique look, deep DOF, lights-friendly for dynamic push-ins). APS-C picks: Sony FE 50mm ƒ2.8 Macro on A6xxx (short-tele FOV, precise AF; add IBIS where available), Sigma 70mm ƒ2.8 DG Macro Art (buttery manual ring, crisp optics on E/L), Laowa 65mm ƒ2.8 2× APO (manual 2× with zero-CA look), Canon EF-S 60mm ƒ2.8 Macro (quiet USM via adapter), and Fujifilm XF 80mm ƒ2.8 OIS WR Macro (OIS + linear motor, beautiful color) and XF 60mm ƒ2.4 Macro (light, 0.5× portrait/detail hybrid). Micro Four Thirds stars: OM SYSTEM M.Zuiko 60mm ƒ2.8 Macro (compact, focus scale, lovely rendering), OM SYSTEM 90mm ƒ3.5 Macro IS PRO (2:1 native, Sync IS for handheld macro video), and Panasonic Leica 45mm ƒ2.8 Macro-Elmarit OIS (small, stabilized, elegant blur). Practical buyer tips: if you rely on AF for moving hands/props, choose stabilized photo macros with quiet linear motors (Sony 90G, RF 100L, Z 105); if you pull focus manually, cine versions with gears, long throw, and matched fronts pay off; pick ~100mm for flattering compression and room for flags, ~50–70mm for tight sets and gimbals; breathing ruining your push-ins? use lenses with low breathing or enable body-level compensation and frame with extra margin; for super-macro (1.5–2×), manual cine Laowas are kings—plan rails, diopters, and light; standardize 67/77mm fronts for one VND/CPL; a rock-solid variable ND and color-consistent LEDs beat chasing a faster aperture. Macro video shooting tips: use the 180° shutter rule (e.g., 1/50s at 24p) and stabilize with IBIS/IS or a tripod/slider; light close and soft (small softbox or diffusion dome) and add a rim for separation; set AF-C with a limiter for hands/objects, or switch to manual with peaking and punch-in; start near wide open then stop 1/3–2/3 stop for sparkle without moiré on textures; move the camera slowly—macro magnifies jitter—use sliders, macro rails, or a geared head; watch focus breathing on dramatic pull-ins and compensate by dollying slightly; carry black/white cards to shape reflections, use a CPL sparingly on glass/metal, and mind color consistency (custom Kelvin); record at higher bitrate/10-bit if your camera allows to preserve fine texture; for probe shots, prelight the tunnel, keep cables tidy, and practice smooth arcs. Whether you’re filming product beauty, culinary steam, skincare textures, watch movements, or forest micro-worlds, the best macro lenses for video combine quiet mechanics, controlled breathing, and disciplined optics—so your tiny subjects look luxurious, sharp, and cinematically lit.