These are the best macro lenses for studio photography when you want flat-field precision, neutral color, and velvety, controllable blur on cosmetics, tech, beverages, jewelry, textiles, and artwork—under repeatable light—and here’s what to look for as you buy: prioritize true 1:1 magnification (2:1 for micro-print and textures), apochromatic/low-LoCA designs to keep purple/green fringing off glossy edges, very low distortion and disciplined corners for packaging and flat-lays, long and smooth manual-focus throw for stacking, internal focusing with a limiter for confident AF around reflective surfaces, and—if you ever handhold—stabilization (VR/IS/OSS/OIS or strong IBIS pairing), though rails and strobes matter more in studio; pick focal length by working distance—~90–105mm for room to place scrims/flags and to clean up reflections, ~50–70mm for cramped tables and copy work, and consider tilt-shift macros for plane control on boxes, watches, and books. Full-frame studio heroes: Sony FE 90mm ƒ2.8 Macro G OSS (benchmark flat-field and color neutrality), Canon RF 100mm ƒ2.8L Macro IS USM (1.4× reach with Hybrid IS and SA Control to tune specular glow), Canon EF 100mm ƒ2.8L IS USM (classic stabilized value), Nikon Z MC 105mm ƒ2.8 VR S (low LoCA, razor micro-contrast, VR), Sigma 105mm ƒ2.8 DG DN Macro Art (mirrorless-optimized correction and tidy corners), Tamron SP 90mm ƒ2.8 Di VC USD F017/F004 (VC with graceful rolloff), and Laowa 100mm ƒ2.8 2× APO (manual, true APO, 2× for labels/engraving); plane-control specialists: Canon TS-E 50mm ƒ2.8L Macro, TS-E 90mm ƒ2.8L Macro, TS-E 135mm ƒ4L Macro, and Nikon PC-E 85mm ƒ2.8D Micro (all 1:2 with tilt/shift); tight-set companions: Sony FE 50mm ƒ2.8 Macro, Canon RF 85mm ƒ2 Macro IS STM (0.5×), RF 35mm ƒ1.8 Macro IS STM (0.5×). APS-C and Micro Four Thirds standouts: Fujifilm XF 80mm ƒ2.8 R LM OIS WR (OIS, gorgeous contrast for product edges), Fujifilm XF 60mm ƒ2.4 Macro (0.5× portrait/detail hybrid), Laowa 65mm ƒ2.8 2× APO (APS-C manual, zero-CA look at 2×), Sony FE 50mm ƒ2.8 Macro on A6xxx (short-tele field of view; pair with IBIS), Nikon Z MC 50mm ƒ2.8 (tiny, color-true), OM SYSTEM M.Zuiko 60mm ƒ2.8 Macro (beloved 1:1 with focus scale), OM SYSTEM 90mm ƒ3.5 Macro IS PRO (2:1 with Sync IS and exquisite control), and Panasonic Leica 45mm ƒ2.8 Macro-Elmarit OIS (compact, stabilized, elegant rendering). Practical buyer tips: choose an APO ~100mm if you shoot reflective glass/metal—clean edges slash retouch time; pick 2×-capable lenses (Laowa 100/2×, Laowa 65/2×) for micro-textures and micro-print; tilt-shift macros are transformative for perfectly plane-aligned flat-lays and front-on product shots; standardize filter diameters for one premium CPL, diffusion, and ND; invest first in rails, tethering, scrims/flags, and repeatable lighting before chasing an extra 1/3 stop—control beats speed in studio; used DSLR stabilized macros (EF 100L IS, Tamron 90 VC, Sigma 105 OS, Nikon 105 VR) remain stellar value. Studio macro shooting tips: build large, soft, wraparound light (scrim/tent) and sculpt gradients with white/black cards; use cross-polarization (polarizing film on lights + CPL on lens) to kill harsh glare while letting some life through plastics and glass; stop to ƒ5.6–ƒ11 for depth and edge discipline (watch diffraction past ƒ16 on smaller sensors), switch to manual focus on a rail and bracket short stacks (5–50 frames) for full-depth sharpness, use electronic first curtain/remote to avoid micro-shake, and lock mirrors/shutters as needed; set custom white balance for accurate brand color, keep ISO low, place catchlights intentionally to reveal form, and leave copy space for designers; clean subjects obsessively (blower, microfiber, putty)—dust is gigantic at 1:1—and keep backgrounds matte so the hero pops. Whether you’re photographing skincare kits, beverages, tech gadgets, jewelry, or editorial flat-lays, the best macro lenses for studio photography combine apochromatic correction, flat-field precision, and comfortable working distance—so every edge is clean, every label reads, and every gradient looks premium and intentional.