Type

  • Macro

  • Telephoto

Focal Length

100mm

Lens Mount

  • Canon RF

Type

  • Macro

  • Telephoto

Focal Length

105mm

Lens Mount

  • Nikon Z

Type

  • Macro

  • Telephoto

Focal Length

65mm

Lens Mount

  • Sony E

Type

  • Telephoto

  • Macro

Focal Length

100mm

Lens Mount

  • Sony E

Type

  • Macro

  • Telephoto

Focal Length

90mm

Lens Mount

  • Canon EF

  • Nikon F

  • Sony A

Type

  • Macro

  • Telephoto

Focal Length

90mm

Lens Mount

  • Sony E

Type

  • Macro

  • Telephoto

Focal Length

90mm

Lens Mount

  • MFT

Type

  • Macro

  • Telephoto

Focal Length

90mm

Lens Mount

  • Nikon Z

  • Sony E

Type

  • Macro

  • Standard

Focal Length

50mm

Lens Mount

  • Canon EF

  • Nikon F

Type

  • Macro

  • Telephoto

Focal Length

105mm

Lens Mount

  • Leica L

  • Sony E

Type

  • Macro

  • Wide-Angle

Focal Length

35mm

Lens Mount

  • Canon RF

Type

  • Macro

  • Telephoto

Focal Length

60mm

Lens Mount

  • Leica L

Type

  • Macro

  • Telephoto

Focal Length

120mm

Lens Mount

  • Hasselblad X

Type

  • Macro

  • Telephoto

Focal Length

100mm

Lens Mount

  • Pentax K

Type

  • Macro

  • Wide-Angle

Focal Length

24mm

Lens Mount

  • Canon EF

  • Canon RF

  • Nikon F

  • Sony E

  • Leica L

  • Pentax K

Type

  • Macro

  • Telephoto

Focal Length

80mm

Lens Mount

  • Fujifilm X

Type

  • Macro

  • Telephoto

Focal Length

70mm

Lens Mount

  • Nikon F

  • Canon EF

  • Sigma SA

  • Sony E

  • Leica L

Type

  • Macro

  • Tilt-Shift

Focal Length

90mm

Lens Mount

  • Canon EF

Type

  • Macro

  • Telephoto

Focal Length

100mm

Lens Mount

  • Canon EF

  • Canon RF

  • Nikon F

  • Nikon Z

  • Sony E

  • Leica L

  • Pentax K

Type

  • Macro

  • Telephoto

Focal Length

100mm

Lens Mount

  • Leica L

Type

  • Macro

  • Tilt-Shift

Focal Length

110mm

Lens Mount

  • Fujifilm G

Type

  • Macro

  • Standard

Focal Length

50mm

Lens Mount

  • Nikon Z

Type

  • Standard

  • Macro

Focal Length

50mm

Lens Mount

  • Sony E

Type

  • Macro

  • Tilt-Shift

Focal Length

135mm

Lens Mount

  • Canon EF

Type

  • Macro

  • Telephoto

Focal Length

65mm

Lens Mount

  • Canon EF-M

  • Fujifilm X

  • Sony E

Type

  • Macro

  • Tilt-Shift

Focal Length

50mm

Lens Mount

  • Canon EF

Type

  • Macro

Focal Length

25mm

Lens Mount

  • Canon EF

  • Canon RF

  • Sony E

  • Pentax K

  • Leica L

  • Nikon Z

Type

  • Macro

  • Telephoto

Focal Length

85mm

Lens Mount

  • Canon RF

Type

  • Macro

  • Telephoto

Focal Length

60mm

Lens Mount

  • Canon EF

  • Nikon F

  • Pentax K

  • Sony A

  • Sony E

Type

  • Macro

  • Standard

Focal Length

50mm

Lens Mount

  • MFT

Type

  • Macro

  • Telephoto

Focal Length

100mm

Lens Mount

  • Canon EF

  • Canon EF-S

  • Nikon F

Type

  • Macro

  • Telephoto

Focal Length

100mm

Lens Mount

  • Sony E

Type

  • Macro

  • Standard

Focal Length

30mm

Lens Mount

  • Fujifilm X

Type

  • Macro

  • Standard

Focal Length

30mm

Lens Mount

  • MFT

Type

  • Macro

  • Wide-Angle

Focal Length

15mm

Lens Mount

  • Canon EF

  • Nikon F

  • Pentax K

  • Sony A

  • Sony E

Type

  • Macro

Focal Length

100mm

Lens Mount

  • Canon EF

  • Fujifilm X

  • MFT

  • Nikon F

  • Pentax K

  • Sony A

  • Sony E

Type

  • Macro

  • Standard

Focal Length

30mm

Lens Mount

  • MFT

Type

  • Macro

  • Wide-Angle

Focal Length

28mm

Lens Mount

  • Canon EF-M

Type

  • Macro

  • Wide-Angle

Focal Length

35mm

Lens Mount

  • Canon EF-S

Best Macro Lenses for Still Life Photography in 2025

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These are the best macro lenses for still life photography when you want flat-field precision, neutral color, and velvety backgrounds on ceramics, glass, books, botanicals, textiles, cosmetics, and collectibles—whether you’re shooting tabletop sets, flat-lays, or art reproductions—and here’s what to look for as you buy: prioritize true 1:1 magnification (2:1 if you love micro-texture), apochromatic/low-LoCA designs to keep purple/green fringing off glossy edges, very low distortion and excellent corner sharpness for square objects and packaging, internal focusing with a limiter for confident AF around reflective surfaces, and—if you handhold—stabilization (VR/IS/OSS/OIS or strong IBIS pairing); longer focal lengths (~90–105mm) give working distance for tents/scrims and cleaner reflections, while ~50–70mm suits cramped tabletops; a long, smooth manual-focus throw and round diaphragm blades are invaluable for stacking and creamy blur. Full-frame studio heroes: Sony FE 90mm ƒ2.8 Macro G OSS (benchmark flat-field and color neutrality with OSS), Canon RF 100mm ƒ2.8L Macro IS USM (1.4× reach, Hybrid IS, SA Control to tune specular glow), Canon EF 100mm ƒ2.8L IS USM (classic stabilized value), Nikon Z MC 105mm ƒ2.8 VR S (low LoCA, exquisite micro-contrast, VR), Sigma 105mm ƒ2.8 DG DN Macro Art (mirrorless-optimized correction and disciplined edges), Tamron SP 90mm ƒ2.8 Di VC USD F017/F004 (VC with gentle falloff), and Laowa 100mm ƒ2.8 2× APO (manual, true apochromatic rendering and 2× for paper fiber and embossing); shorter/alt options for tight sets: Sony FE 50mm ƒ2.8 Macro, Canon RF 85mm ƒ2 Macro IS STM (0.5×, stabilized), and Canon RF 35mm ƒ1.8 Macro IS STM (0.5×, great for lifestyle + still life). APS-C and Micro Four Thirds standouts: Fujifilm XF 80mm ƒ2.8 R LM OIS WR Macro (OIS, weather-sealed, gorgeous contrast on textures), Fujifilm XF 60mm ƒ2.4 Macro (0.5× portrait/detail hybrid), Laowa 65mm ƒ2.8 2× APO (APS-C manual, zero-CA look at 2×), Sony FE 50mm ƒ2.8 Macro on A6xxx (short-tele field of view; pair with IBIS), Nikon Z MC 50mm ƒ2.8 (tiny, color-true), OM SYSTEM M.Zuiko 60mm ƒ2.8 Macro (beloved 1:1 with focus scale), OM SYSTEM 90mm ƒ3.5 Macro IS PRO (2:1 with Sync IS and superb control), and Panasonic Leica 45mm ƒ2.8 Macro-Elmarit OIS (compact, stabilized, elegant rendering). Practical buyer tips: pick ~100mm APO if you shoot reflective glass/metal—clean edges save retouch time; choose 2×-capable lenses (Laowa 100/2×, Laowa 65/2×) for micro-print, fabric weave, and coin relief; a tilt-shift macro (Canon TS-E 50/90/135 or Nikon PC-E 85) is transformative for perfectly plane-aligned flat-lays, books, and product fronts; standardize filter diameters so one premium CPL, diffusion, and ND covers the kit; invest in a copy stand/rail, tethering, and flags before chasing an extra 1/3 stop—lighting control beats speed in the studio; used DSLR stabilized macros (EF 100L IS, Tamron 90 VC, Sigma 105 OS, Nikon 105 VR) remain stellar value. Still life macro shooting tips: build large, soft, wraparound light (scrim/tent) and sculpt with white/black cards for pleasing gradients, use cross-polarization (polarizing film on lights + CPL on lens) to kill harsh glare yet rotate to keep life in plastics and labels, stop to ƒ5.6–ƒ11 for depth and edge discipline (watch diffraction past ƒ16 on smaller sensors), lock the limiter and focus manually on a rail, bracket short stacks (5–50 frames) for full-depth sharpness, and keep shutter discipline—electronic first curtain/remote to avoid micro-shake; set custom white balance for accurate product color, place catchlights intentionally to reveal form, keep props matte so the hero stands out, and leave framing margin for perspective fixes; clean everything—dust and fingerprints read huge at 1:1. Whether you’re photographing handmade ceramics, vintage cameras, botanicals, or curated desktop scenes, the best macro lenses for still life photography combine apochromatic correction, flat-field precision, and comfortable working distance—so every edge is clean, every texture sings, and your compositions feel calm, intentional, and premium.

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