These are the best macro lenses for architectural photography when you want intricate façade details, stone textures, mosaics, ornamental metalwork, stained glass, and interior hardware rendered with flat-field sharpness, clean edges, and accurate geometry—and here’s what to look for as you buy: prioritize low distortion and a flat field (edges as crisp as the center), strong axial/lateral CA control for high-contrast materials, internal focusing with a limiter for confident AF, and working distance that lets you light or avoid reflections; stabilization helps handheld interiors, but a small diffuser, polarizer, and mini-tripod often matter more; if you also need perspective control, tilt-shift macro designs (or close-focusing PC/TS lenses) let you align planes and keep lines straight. Full-frame heroes for detail work: Sony FE 90mm ƒ2.8 Macro G OSS (benchmark flat-field and OSS for interiors), Canon RF 100mm ƒ2.8L Macro IS USM (1.4× reach, Hybrid IS, superb edge discipline), Canon EF 100mm ƒ2.8L IS USM (classic value), Nikon Z MC 105mm ƒ2.8 VR S (razor micro-contrast with low LoCA), Sigma 105mm ƒ2.8 DG DN Macro Art (mirrorless-optimized, low distortion), Tamron SP 90mm ƒ2.8 Di VC USD (F017/F004; excellent rendering), Laowa 100mm ƒ2.8 2× APO (manual, apochromatic edges for shiny metals). Perspective-control options that play beautifully with architectural detail: Canon TS-E 50mm ƒ2.8L Macro (1:2, tilt+shift for plane/perspective control), TS-E 90mm ƒ2.8L Macro (1:2 tele-macro with movements for façade reliefs), TS-E 135mm ƒ4L Macro (1:2, long working distance for carvings high on walls), Nikon PC-E Micro 85mm ƒ2.8D (1:2 with tilt/shift), and Laowa 15mm ƒ4 Wide Angle Macro (1:1 special effect with ±6mm shift for creative foreground-in-context shots). APS-C and Micro Four Thirds standouts: Fujifilm XF 80mm ƒ2.8 R LM OIS WR Macro (flat field, OIS, weather-sealed), Fujifilm XF 60mm ƒ2.4 Macro (0.5× portrait/detail hybrid), Sony FE 50mm ƒ2.8 Macro on A6xxx (short-tele behavior with crisp edges), Laowa 65mm ƒ2.8 2× APO (APS-C manual, zero-CA look for polished stone), Olympus/OM SYSTEM M.Zuiko 60mm ƒ2.8 Macro (beloved 1:1 with focus scale), OM SYSTEM 90mm ƒ3.5 Macro IS PRO (2:1, Sync IS for handheld interiors), Panasonic Leica 45mm ƒ2.8 Macro-Elmarit OIS (compact, stabilized). Practical buyer tips: pick ~90–105mm for façade reliefs and reflective hardware where working distance and perspective compression help, ~50–70mm for tighter interiors or when you want a bit more scene around the detail; if you routinely fight converging lines, a tilt-shift macro (TS-E 50/90/135 or PC-E 85) is transformative—tilt for plane alignment on wall panels or floors and shift to keep verticals straight; favor APO designs for metal/glass details to avoid color fringing, and pack a circular polarizer (and, when possible, cross-polarize with a gel on your light) to tame glare on marble, tile, and glass; a slim macro rail plus low-profile clamp makes precise framing on tripods painless. Architectural macro shooting tips: shoot at ƒ5.6–ƒ11 for depth and edge discipline (watch diffraction past ƒ16 on smaller sensors), use a CPL to cut window reflections and deepen stone color, place light at a low rake angle to reveal relief without harsh hotspots, align sensor plane with the surface for maximum flat-field sharpness (or use lens tilt), level and lock verticals (shift or fix in post with a little extra framing margin), set the focus limiter and “rock” your body for plane control, bracket/stack for perfectly sharp mosaics and bas-reliefs, and keep shutter speeds honest—IBIS/IS steadies framing, but a mini-tripod or wall brace beats micro-shake; for stained glass and glossy tile, underexpose a touch to protect highlights and lift shadows later. Whether you’re isolating a carved capital, documenting a tiled frieze, or capturing patina on an iron gate, the best macro lenses for architectural photography combine flat-field optics, low distortion, and confident handling—so small details read with architectural clarity and beautiful, intentional geometry.