Venus Laowa 24mm F14 2x Macro Probe

❤️8.0K
Picture of the Venus Laowa 24mm F14 2x Macro Probe lens

Type

  • Macro

  • Wide-Angle

Focal Length

24mm

Lens Mount

  • Canon EF

  • Canon RF

  • Nikon F

  • Sony E

  • Leica L

  • Pentax K

Features

  • 🌟Bokeh
  • 🌙Low Light

Venus Laowa 100mm F2.8 2X Ultra Macro APO

❤️7.8K
Picture of the Venus Laowa 100mm F2.8 2X Ultra Macro APO lens

Type

  • Macro

  • Telephoto

Focal Length

100mm

Lens Mount

  • Canon EF

  • Canon RF

  • Nikon F

  • Nikon Z

  • Sony E

  • Leica L

  • Pentax K

Features

  • 🌟Bokeh
  • 🌙Low Light

Venus Laowa 65mm F2.8 2x Ultra Macro APO

❤️7.5K
Picture of the Venus Laowa 65mm F2.8 2x Ultra Macro APO lens

Type

  • Macro

  • Telephoto

Focal Length

65mm

Lens Mount

  • Canon EF-M

  • Fujifilm X

  • Sony E

Features

  • 🌟Bokeh
  • 🌙Low Light

Venus Laowa 25mm F2.8 2.5-5X Ultra Macro

❤️7.4K
Picture of the Venus Laowa 25mm F2.8 2.5-5X Ultra Macro lens

Type

  • Macro

Focal Length

25mm

Lens Mount

  • Canon EF

  • Canon RF

  • Sony E

  • Pentax K

  • Leica L

  • Nikon Z

Features

  • 🌟Bokeh

Venus Laowa 60mm F2.8 2X Ultra Macro

❤️7.3K
Picture of the Venus Laowa 60mm F2.8 2X Ultra Macro lens

Type

  • Macro

  • Telephoto

Focal Length

60mm

Lens Mount

  • Canon EF

  • Nikon F

  • Pentax K

  • Sony A

  • Sony E

Features

  • 🌟Bokeh
  • 🌙Low Light

Venus Laowa 50mm F2.8 2X Ultra Macro APO

❤️7.1K
Picture of the Venus Laowa 50mm F2.8 2X Ultra Macro APO lens

Type

  • Macro

  • Standard

Focal Length

50mm

Lens Mount

  • MFT

Features

  • 🌟Bokeh
  • 🌙Low Light

Venus Laowa 15mm F4 1:1 Macro

❤️6.8K
Picture of the Venus Laowa 15mm F4 1:1 Macro lens

Type

  • Macro

  • Wide-Angle

Focal Length

15mm

Lens Mount

  • Canon EF

  • Nikon F

  • Pentax K

  • Sony A

  • Sony E

Features

  • 🌟Bokeh
  • 🌙Low Light

Best Laowa Macro Lenses in 2025

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These are the best Laowa macro lenses, chosen for how they deliver high magnification (often up to 2:1 or beyond), flat-field sharpness, disciplined chromatic control, and thoughtful mechanics that make stacking, product work, botanicals, and field macro predictable and polished. Macro is about precision and working distance: optics that stay crisp at life-size and higher, neutral color that grades cleanly, long, well-damped focus throws you can set by feel, and compact housings that leave room for lights, flags, and diffusers. Start with the full-frame anchors—Laowa 100mm f/2.8 2× Ultra Macro APO is the category icon: true 2:1 without tubes, apochromatic correction that keeps chrome and porcelain free of magenta/green fringing, and portrait-friendly rendering when you step back; the Laowa 90mm f/2.8 2× Ultra Macro APO (mirrorless-first design) adds internal focusing, short minimum working distance, and excellent corner discipline for product, food, and beauty; the featherweight Laowa 85mm f/5.6 2× Ultra Macro APO focuses to 2:1 in a pocketable package—perfect for travel kits and gimbal macro video; and the Laowa 58mm f/2.8 2× Ultra Macro APO gives a versatile working length for tabletop sets where space is tight but you still want 2× detail and APO cleanliness. APS-C and Micro Four Thirds shooters get native heroes too—the Laowa 65mm f/2.8 2× Ultra Macro APO (APS-C) is a cult favorite for insects and product with gorgeous contrast and manageable working distance, while the Laowa 50mm f/2.8 2× Ultra Macro APO (MFT) brings life-size to 2× in a compact, stabilized-friendly body; legacy stalwarts like the Laowa 60mm f/2.8 2:1 Ultra-Macro remain great budget picks with character and reach. When you need extreme magnification for watch movements, gemstones, or circuitry, the Laowa 25mm f/2.8 2.5–5× Ultra Macro is the specialist: slim barrel for lighting access, flat-field sharpness, and controlled breathing for clean rack-to-detail moves; for wide-angle macro that marries context with life-size detail, the Laowa 15mm f/4 1:1 Wide Angle Macro (with shift) lets you place subjects in their environment while keeping lines honest—brilliant for fungi, interiors with small products, and creative perspective. Video and specialty workflows lean on the 24mm “Probe” family—the Laowa 24mm f/14 2× Macro Probe and brighter, modular 24mm T8 2× PeriProbe—long tubular designs that slip between props, offer 2× magnification with flat-field rendering, optional 90° tips, and LED ring-light compatibility, turning splash sets, pour shots, and SFX minis into repeatable moves. Image priorities across the Laowa macro lineup are disciplined: apochromatic or near-APO behavior for clean speculars, flat-field planes that keep labels and edges sharp, coatings that resist veiling flare from close softboxes and windows, and long focus throws that make tiny tweaks repeatable on rails; mirrorless-optimized designs (90/2×, 85/2×, 58/2×) keep balance tidy, while compact front diameters simplify CPL/ND and diffusion. Workflow multiplies results—use a focusing rail for parallax-safe stacks, standardize front sizes with step-ups, add high-quality close-up diopters to nudge magnification without moving lights, and cross-polarize (CPL on lens + gelled lights) to kill glare on glass and glossy packaging; work around f/4–f/8 for peak acuity and stack rather than choking to f/16+, and for field insects, shoot early or shaded with higher shutter speeds or diffused flash to freeze motion. The practical kit recipe is simple: anchor with a 100mm or 90mm 2× APO for premium detail and comfortable working distance, add a 58mm or 65mm 2× for small sets and travel agility, keep the 25mm 2.5–5× for extreme magnification, slot the 15mm 1:1 Wide Macro for environmental context, and bring the 24mm Probe/PeriProbe when your project needs dramatic inserts and cine-friendly mechanics. Whether you’re photographing jewelry and watch movements, plating textures and bottle embossing, fungi and insects at dawn, or filming tactile product reels with precise rack-to-detail moves, the best Laowa macro lenses deliver magnification discipline, color fidelity, and ergonomic control that make tiny worlds look immaculate and intentionally lit.

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