These are the best Fujifilm fisheye lenses, chosen for how they turn X-mount bodies into fearless field-of-view machines that exaggerate perspective, bend horizons, and invite bold composition without weighing you down. Fisheyes are about character and coverage: 150°–180° views that make tight spaces feel epic, foregrounds loom, and motion read with energy. On Fuji APS-C, the standouts split into two families—circular fisheyes that produce a round image inside the frame (great for creative transitions, VR stitching, and graphic design overlays) and diagonal fisheyes that fill the entire image with a 180° corner-to-corner sweep for skating, parkour, interiors, astrophotography foregrounds, and hyper-dynamic POV. Lightweight manual-focus primes from TTArtisan, 7Artisans, Meike, and Laowa dominate here because they prioritize compact builds, metal housings, de-clicked (or at least finely damped) apertures, and ultra-short minimum focus distances so you can press the lens inches from a subject and still get sharp, dramatic context. A classic diagonal option like a 7.5mm fisheye (f/2–f/2.8) gives the iconic look with manageable distortion for de-fishing in post; faster f/2 designs earn their keep at dusk, for star-laden timelapses, or when you’re pushing ISO and want cleaner files. If you crave the purest, punchiest effect for transitions and music videos, a circular 4–6.5mm fisheye delivers a crisp floating “bubble” image with pronounced peripheral roll-off and eye-catching flare—perfect for cuts that need to announce themselves. Samyang/Rokinon’s 8mm f/2.8 II remains a cult favorite for its balance of size, sharpness, and predictable equidistant mapping that keeps motion smooth in pans; TTArtisan’s 10mm f/2 fisheye brings a brighter look and slightly gentler warp for narrative frames; 7Artisans and Meike 7.5mm options are budget-friendly workhorses with reliable gearing for compact follow-focus rigs; Laowa’s 4mm circular fisheye is the tiny creative grenade that lives in your bag and solves “there’s no room” problems on location. Image quality priorities for the best Fujifilm fisheyes are different from rectilinear ultrawides: you want controlled but expressive distortion, minimal lateral CA so edges don’t rainbow, decent coma resistance if you point at stars, and coatings that tame veiling flare when you include the sun in frame (which you will—often). For video, fisheyes love movement: push-ins feel faster, gimbal or 3-axis shots seem more agile, and horizon rolls read cleanly because the projection keeps stretching consistent; combine with Eterna or F-Log for malleable color and let the geometry do the storytelling. Workflow matters too—choose lenses with consistent 58–62mm fronts or square hoods for easy ND management, and keep a slim protective filter on diagonal fisheyes whose bulbous elements are exposed to knocks. Compositionally, think foreground first: a hand, deck, helmet, mic, or signpost near the lens becomes an anchor that sells scale, while curved leading lines (rails, tunnels, shorelines) guide the eye across the hemispherical field. In tight interiors, angle the camera slightly up or down to keep horizons from slicing your frame unnaturally; outdoors, embrace the bend and make the sky a canvas for arcs and sunstars. De-fishing is a bonus, not a requirement—many Fuji shooters prefer the native warp and build looks around it—but modern profiles can straighten horizons enough for real estate B-roll or social edits that need less “funhouse” energy. The net result: a small, affordable, and wildly expressive toolkit—pair a fast 7.5–10mm diagonal fisheye for all-purpose drama with a tiny circular 4–6.5mm for specialty shots—and your Fujifilm kit gains a signature, cinematic perspective that turns ordinary scenes into kinetic, character-rich frames. Whether you’re filming skate lines, capturing tiny rooms, framing star-washed landscapes, or crafting bold handheld travel reels, the best Fujifilm fisheye lenses deliver huge vision in pocketable metal shells, encouraging fearless composition and playful storytelling on any X-mount body.