Fujifilm XF 8-16mm F2.8 R LM WR❤️8.0K | Type
Focal Length8-16mmLens Mount
Features
| |
Nikon AF-S Nikkor Fisheye 8-15mm F3.5-4.5E ED❤️6.6K | Type
Focal Length8-15mmLens Mount
Features
| |
Fujifilm XF 8mm F3.5 R WR❤️6.5K | Type
Focal Length8mmLens Mount
Features
| |
Irix 11mm F4❤️6.1K | Type
Focal Length11mmLens Mount
Features
| |
Venus Laowa 4mm F2.8 Fisheye MFT❤️6.0K | Type
Focal Length4mmLens Mount
Features
| |
Canon RF-S 3.9mm F3.5 STM Dual Fisheye❤️5.9K | Type
Focal Length3.9mmLens Mount
Features
| |
Kamlan 8mm F3.0 Fisheye❤️5.7K | Type
Focal Length8mmLens Mount
Features
|
Best Fisheye Lenses for Video in 2025
* Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon.com at the time of purchase will apply to the purchase of this product.
* Imaginated.com may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. Learn more here.
These are the best fisheye lenses for video when you want immersive 180° drama, stable edge behavior, clean highlights under LEDs/sun, and compact barrels that balance on gimbals and handheld rigs—and here’s what to look for as you buy: favor diagonal fisheyes for most work (easier partial de-fish while keeping people/lines believable), circular fisheyes for stylized openers/VR plates, smooth manual focus with long-ish throws (or AF you can override quietly), minimal aperture “clicks” or electronic iris for flicker-free ramps, strong coatings against point lights, and light weights so rebalance is quick; front filters are rarely usable—plan internal/behind-lens ND, keep glass immaculate, and build a repeatable de-fish preset so shots intercut cleanly. Full-frame go-tos: Canon EF 8–15mm ƒ4L Fisheye USM and Nikon AF-S 8–15mm ƒ3.5–4.5E (benchmark circular→diagonal zooms—set a fixed stop near 14–15 mm for consistent framing; excellent flare control, quick focus; adapt EF cleanly to RF/E/Z), Samyang/Rokinon 12mm ƒ2.8 diagonal (fast, featherweight, budget king for dim venues and moody interiors), and Sigma 15mm ƒ2.8 EX diagonal (compact classic—tightens edges around ƒ5.6). APS-C standouts for light rigs and cine-FPV: Tokina AT-X 10–17mm ƒ3.5–4.5 DX and Pentax DA 10–17mm ƒ3.5–4.5 (close-focus champs—great for skate bowls, car interiors, and tiny rooms); the Canon/Nikon 8–15s behave as diagonal fisheyes across much of their range on crop if you already own one; also strong: Samyang 8mm ƒ2.8 UMC II (Sony/Fuji APS-C—fast, tiny) for low-light runs. Micro Four Thirds winners for gimbals and travel rigs: Olympus M.Zuiko 8mm ƒ1.8 PRO (fast, sealed, superb into-the-spotlight behavior) and Panasonic Lumix G 8mm ƒ3.5 (tiny, sharp, cost-effective); specialty circulars like Laowa 4mm ƒ2.8 (MFT) shine for all-sky/VR-ish openers. Practical buyer tips: on full frame, an 8–15 plus a fixed prime covers 95% of needs—save two zoom stops for (a) circular hero and (b) diagonal “no-vignette”; on APS-C, the Tokina 10–17 is size-to-coverage gold; on MFT, the Oly 8/1.8 rules dark clubs and dawn city; pick rigid adapters (EF→RF/E/Z) with zero play, add 0.8-pitch focus gears if you pull, standardize step-ups where possible for one clip-in/box ND, and keep barrel weights similar to reduce rebalances. Video-shooting tips: lock a 180° shutter and ride ND, expose for faces/practicals and let walls/LEDs clip gracefully, prefer MF or slow AF transitions (breathing is subtle on fisheyes but jumpy AF is not), set a fixed zoom stop before the take, and move slowly—tiny wobbles read huge at 180°; center key faces to minimize distortion and use edges for energy, start around ƒ4–ƒ8 for cleaner corners (ƒ2.8 for mood), and keep backgrounds a few meters behind for airy separation; for gimbals, pre-balance to your heaviest fisheye, disable IBIS on sticks to avoid micro-jitter, and shade the front element with a hand/flag under harsh point lights; for de-fish, apply a consistent preset per focal length so geometry matches across shots; whether you’re skating through bowls, pushing through crowds, revealing cathedral ceilings, or stitching kinetic travel reels, the best video fisheye choices—8–15 zooms on full frame, Tokina/Pentax 10–17 or Samyang 8/2.8 on APS-C, and Olympus/Panasonic 8 mm (plus Laowa 4 mm for circular fun) on MFT—deliver adjustable 180° perspective, manageable flare, and post-friendly projection so your footage lands bold, clean, and unmistakably immersive.
Lenses by brand:
Lenses by price:
Lenses by type:
Lenses by sensor:
Lenses by feature:
Lenses by use case:
- Best Fisheye Lenses for Aerial Photography
- Best Fisheye Lenses for Architectural Photography
- Best Fisheye Lenses for Astrophotography
- Best Fisheye Lenses for Bird Photography
- Best Fisheye Lenses for Concert Photography
- Best Fisheye Lenses for Fashion Photography
- Best Fisheye Lenses for Food Photography
- Best Fisheye Lenses for Landscape Photography
- Best Fisheye Lenses for Macro Photography
- Best Fisheye Lenses for Night Photography
- Best Fisheye Lenses for Portrait Photography
- Best Fisheye Lenses for Real Estate Photography
- Best Fisheye Lenses for Sports Photography
- Best Fisheye Lenses for Street Photography
- Best Fisheye Lenses for Studio Photography
- Best Fisheye Lenses for Travel Photography
- Best Fisheye Lenses for Wedding Photography
- Best Fisheye Lenses for Video
Lenses by experience:
Cameras:
Image | Name | Type | Focal Length | Lens Mount | Features | Price |
---|---|---|---|---|---|---|
Fujifilm XF 8-16mm F2.8 R LM WR❤️ 8.0K |
| 8-16mm |
|
| Price Updated from Amazon: 12-06-2024 | |
Image | Name | Type | Focal Length | Lens Mount | Features | Price |
Nikon AF-S Nikkor Fisheye 8-15mm F3.5-4.5E ED❤️ 6.6K |
| 8-15mm |
|
| Price Updated from Amazon: 12-06-2024 | |
Image | Name | Type | Focal Length | Lens Mount | Features | Price |
Fujifilm XF 8mm F3.5 R WR❤️ 6.5K |
| 8mm |
|
| Price Updated from Amazon: 12-06-2024 | |
Image | Name | Type | Focal Length | Lens Mount | Features | Price |
Irix 11mm F4❤️ 6.1K |
| 11mm |
|
| Price Updated from Amazon: 12-06-2024 | |
Image | Name | Type | Focal Length | Lens Mount | Features | Price |
Venus Laowa 4mm F2.8 Fisheye MFT❤️ 6.0K |
| 4mm |
|
| Price Updated from Amazon: 12-06-2024 | |
Image | Name | Type | Focal Length | Lens Mount | Features | Price |
Canon RF-S 3.9mm F3.5 STM Dual Fisheye❤️ 5.9K |
| 3.9mm |
|
| Price Updated from Amazon: 12-06-2024 | |
Image | Name | Type | Focal Length | Lens Mount | Features | Price |
Kamlan 8mm F3.0 Fisheye❤️ 5.7K |
| 8mm |
|
| Price Updated from Amazon: 12-06-2024 |
Best Fisheye Lenses for Video in 2025
* Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon.com at the time of purchase will apply to the purchase of this product.
* Imaginated.com may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. Learn more here.
These are the best fisheye lenses for video when you want immersive 180° drama, stable edge behavior, clean highlights under LEDs/sun, and compact barrels that balance on gimbals and handheld rigs—and here’s what to look for as you buy: favor diagonal fisheyes for most work (easier partial de-fish while keeping people/lines believable), circular fisheyes for stylized openers/VR plates, smooth manual focus with long-ish throws (or AF you can override quietly), minimal aperture “clicks” or electronic iris for flicker-free ramps, strong coatings against point lights, and light weights so rebalance is quick; front filters are rarely usable—plan internal/behind-lens ND, keep glass immaculate, and build a repeatable de-fish preset so shots intercut cleanly. Full-frame go-tos: Canon EF 8–15mm ƒ4L Fisheye USM and Nikon AF-S 8–15mm ƒ3.5–4.5E (benchmark circular→diagonal zooms—set a fixed stop near 14–15 mm for consistent framing; excellent flare control, quick focus; adapt EF cleanly to RF/E/Z), Samyang/Rokinon 12mm ƒ2.8 diagonal (fast, featherweight, budget king for dim venues and moody interiors), and Sigma 15mm ƒ2.8 EX diagonal (compact classic—tightens edges around ƒ5.6). APS-C standouts for light rigs and cine-FPV: Tokina AT-X 10–17mm ƒ3.5–4.5 DX and Pentax DA 10–17mm ƒ3.5–4.5 (close-focus champs—great for skate bowls, car interiors, and tiny rooms); the Canon/Nikon 8–15s behave as diagonal fisheyes across much of their range on crop if you already own one; also strong: Samyang 8mm ƒ2.8 UMC II (Sony/Fuji APS-C—fast, tiny) for low-light runs. Micro Four Thirds winners for gimbals and travel rigs: Olympus M.Zuiko 8mm ƒ1.8 PRO (fast, sealed, superb into-the-spotlight behavior) and Panasonic Lumix G 8mm ƒ3.5 (tiny, sharp, cost-effective); specialty circulars like Laowa 4mm ƒ2.8 (MFT) shine for all-sky/VR-ish openers. Practical buyer tips: on full frame, an 8–15 plus a fixed prime covers 95% of needs—save two zoom stops for (a) circular hero and (b) diagonal “no-vignette”; on APS-C, the Tokina 10–17 is size-to-coverage gold; on MFT, the Oly 8/1.8 rules dark clubs and dawn city; pick rigid adapters (EF→RF/E/Z) with zero play, add 0.8-pitch focus gears if you pull, standardize step-ups where possible for one clip-in/box ND, and keep barrel weights similar to reduce rebalances. Video-shooting tips: lock a 180° shutter and ride ND, expose for faces/practicals and let walls/LEDs clip gracefully, prefer MF or slow AF transitions (breathing is subtle on fisheyes but jumpy AF is not), set a fixed zoom stop before the take, and move slowly—tiny wobbles read huge at 180°; center key faces to minimize distortion and use edges for energy, start around ƒ4–ƒ8 for cleaner corners (ƒ2.8 for mood), and keep backgrounds a few meters behind for airy separation; for gimbals, pre-balance to your heaviest fisheye, disable IBIS on sticks to avoid micro-jitter, and shade the front element with a hand/flag under harsh point lights; for de-fish, apply a consistent preset per focal length so geometry matches across shots; whether you’re skating through bowls, pushing through crowds, revealing cathedral ceilings, or stitching kinetic travel reels, the best video fisheye choices—8–15 zooms on full frame, Tokina/Pentax 10–17 or Samyang 8/2.8 on APS-C, and Olympus/Panasonic 8 mm (plus Laowa 4 mm for circular fun) on MFT—deliver adjustable 180° perspective, manageable flare, and post-friendly projection so your footage lands bold, clean, and unmistakably immersive.
Lenses by brand:
Lenses by price:
Lenses by type:
Lenses by sensor:
Lenses by feature:
Lenses by use case:
- Best Fisheye Lenses for Aerial Photography
- Best Fisheye Lenses for Architectural Photography
- Best Fisheye Lenses for Astrophotography
- Best Fisheye Lenses for Bird Photography
- Best Fisheye Lenses for Concert Photography
- Best Fisheye Lenses for Fashion Photography
- Best Fisheye Lenses for Food Photography
- Best Fisheye Lenses for Landscape Photography
- Best Fisheye Lenses for Macro Photography
- Best Fisheye Lenses for Night Photography
- Best Fisheye Lenses for Portrait Photography
- Best Fisheye Lenses for Real Estate Photography
- Best Fisheye Lenses for Sports Photography
- Best Fisheye Lenses for Street Photography
- Best Fisheye Lenses for Studio Photography
- Best Fisheye Lenses for Travel Photography
- Best Fisheye Lenses for Wedding Photography
- Best Fisheye Lenses for Video
Lenses by experience:
Cameras: