These are the best 7artisans cine lenses, chosen for their blend of ultra-fast apertures, consistent color, and true cine ergonomics at a price that makes building a complete set realistic for indie filmmakers, wedding shooters, and content creators. The centerpiece for narrative and low-light work is the Vision series of T1.05 primes—most notably the 25mm, 35mm, and 50mm—which deliver a modern, punchy look with generous highlight roll-off, excellent subject separation, and surprisingly controlled flare for glass this fast; they’re fully manual with de-clicked apertures, long focus throws for precise pulls, and standard 0.8-mod gears on focus and iris so they drop cleanly onto follow-focus rigs and wireless motors. For portrait-driven stories and beauty work, the fast short-tele option in the line brings creamy bokeh and flattering compression that pairs beautifully with the wider T1.05 trio, giving you a compact A-set that covers establishing, medium, and close without touching ISO. Shooters who favor wider frames and gimbals can round out the kit with the brand’s compact wide cine primes—snappy, lightweight lenses that keep front-end mass down so balancing is painless and horizon drift stays minimal on long takes—while the normal-to-short-tele options remain small enough for dual-handheld bodies during events. Across the range, housings are metal and built for set life, with consistent gear placement and near-unified front diameters that simplify matte box and filter workflows; focusing is smooth and damped for repeatable marks, and the lenses are color-matched closely enough that intercutting across a multi-cam day holds together in a single grade. Mount coverage is a practical strength: mirrorless shooters can pick native Sony E, Canon RF, Nikon Z, L-Mount, Fujifilm X, or Micro Four Thirds, keeping adapters to a minimum and flange distance short for reliable infinity, and the compact sizes mean you can rig cages, NDs, and mics without tipping over the payload on travel gimbals. In the field these lenses punch above their weight—wide-open they give a vivid, modern rendering that flatters skin while keeping micro-contrast for fabric and hair; stopped to T2–T2.8 they snap to crisp across-frame sharpness for product and interview work; focus breathing is present but modest for the class and manageable for doc work; and close-focus distances are short enough to grab insert shots without swapping to specialty glass. For a versatile three-lens starter that will carry most productions, pair a 25mm T1.05 for interiors and night exteriors, a 35mm T1.05 for conversational two-shots and walk-and-talks, and a 50mm T1.05 for portraits and detail cutaways; add a fast short-tele for ceremony coverage or beauty B-roll, and a compact wide when you need establishing scope in tight rooms. Practical tips: set a consistent working T-stop across the scene (T2–T2.8 is a sweet spot), use a true cine VND or matte box to hold exposure while maintaining the 180° shutter, pull focus off hard marks rather than chasing with peaking, and lean on the long throw to “land” eyes precisely at T1.05. Whether you’re lighting a moody narrative, running-and-gunning a wedding, or building a lean commercial kit, the best 7artisans cine lenses offer fast glass, matched handling, and a coherent visual signature that makes small crews look bigger and tight schedules look polished.