These are the best micro four thirds cameras for video, chosen for their blend of professional codecs, dependable stabilization, modern autofocus, and rugged, travel-ready bodies that let creators shoot everything from documentary and weddings to travel films and YouTube without hauling a cinema rig. At the top for pure video muscle is the Panasonic Lumix GH6, a purpose-built production workhorse with high-bit-depth internal recording, advanced log options, high-frame-rate 4K, robust heat management for long takes, and pro niceties like waveform, vectorscope, anamorphic tools, timecode support, dual card options, and a full-featured audio path; it’s the MFT body that most comfortably lives on gimbals, cages, and in studio workflows while still being compact enough for run-and-gun. The GH5 II and the classic GH5 remain legends for a reason—reliable 4K, 10-bit color pipelines, great IBIS for handheld work, and bodies that have proven themselves on countless productions—while the GH5S trades in-body stabilization for cleaner high-ISO performance and dual-native-ISO magic that low-light shooters love. If you want the most modern Panasonic hybrid feel with stronger AF and open-gate flexibility, the G9 II brings phase-detect autofocus, excellent IBIS, fast readout for reduced rolling shutter, and high-resolution open-gate capture that makes reframing for vertical, square, and widescreen deliverables painless in post; the original G9 still earns a place with punchy 4K, rugged sealing, and ergonomic controls that make long days easy. On the OM System side, the OM-1 Mark II and OM-1 deliver stabilized 4K with 10-bit workflows, pleasing color, and subject-aware AF in bodies that are small, sealed, and happy to shoot in the rain; their computational tricks—like Live ND and rock-solid IBIS—are surprisingly useful for B-roll motion and creative transitions, and external RAW to recorders expands grading latitude when you need it. The lighter OM-5 and the Olympus E-M1 Mark III are excellent budget-friendly hybrids: stabilized 4K, practical flat profiles, and reliable ergonomics in kits that disappear in a sling bag, perfect for travel creators who value portability over every last spec. What elevates MFT for video is the lens ecosystem and the format’s open-gate advantage: fast, compact glass like the Panasonic Leica 10-25mm f/1.7 and 25-50mm f/1.7 covers most narratives with cinema-like control over depth and framing; documentary zooms like the Panasonic 12-35mm f/2.8, 35-100mm f/2.8, and Leica 12-60mm f/2.8-4 or Olympus’s M.Zuiko 12-40mm f/2.8 PRO and 12-100mm f/4 PRO give stabilized, weather-sealed versatility; tiny primes such as the Panasonic 20mm f/1.7, Leica 15mm f/1.7, M.Zuiko 17mm/25mm f/1.8, and Sigma 16/30/56mm f/1.4 trio keep rigs featherweight; and anamorphic-ready modes on the Panasonic side pair beautifully with affordable MFT anamorphics for a true cinematic look. In practice, these bodies give creators the tools that matter on set: IBIS and lens-IS combos for natural handheld motion, focus aids (peaking, punch-in, one-touch AF) for fast setups, waveform and zebras for precise exposure, fan-assisted or thermally robust designs for long events, and clean HDMI plus USB power for monitors, recorders, and streaming. Dial in the 180-degree shutter rule, record 10-bit log for grading headroom, carry variable NDs to keep shutter and ISO locked, and use open-gate when you know the edit will need vertical and widescreen masters from the same shot; map custom buttons for AF-mode swaps and punch-in focus, and let the smaller system weight keep you fresh through long shoot days. Whether you’re filming narrative shorts, branded content, travel films, or live events, the best micro four thirds cameras for video deliver pro-level codecs, stabilization, and handling in compact, weather-tough packages—backed by a deep, affordable lens lineup—so you can move fast, shoot long, and still come home with footage that grades beautifully and cuts like a dream.