In this article, we’ll be diving into everything you need to know about casting in sculpture.
Let’s dive in!
Table of Contents
What is Casting in Sculpture?
Casting is the process of manufacturing in which liquid is poured into a molding process. The liquid you poured into a hollow space and solidified it after making the required shape of it.
Casting is basically the solidified part of the whole process, which takes after pouring liquid into the hollow space of the required shape.
The basic need of casting is to make difficult and complex shapes that are nearly impossible to make by simple methods and techniques.
Heavy machinery and shapes like ships, beds, and other objects can be cast easily rather than made by joining different smaller objects one by one.
Casting is the oldest known sculpting technique out there, and it is said to be in use from 3200 BC.
Why is Casting Important in Sculpture?
Casting is very important in the process of sculpting.
It is believed that almost 70 percent of the artists believed that the process of casting and molding is more necessary to sculpture making than other methods.
Casting and molding have other benefits as well.
Both these processes save time and reduce cost very much, and this cost is adjusted into other things.
It also reduces errors in works and lessens the problems. As the liquid is used in the process, it can be checked again until the final product is made.
What are the Materials Needed for Casting?
Casting involves making mold and pouring liquid material, such as molten metal, plastic, rubber, or fiberglass into the skin.
A cast is a form created by this process. The artist produces many images to model the form (usually clay, wax or concrete).
This is used to create the mold that should be removed from it. The mold can be cast more than once, allowing artists to make drawings.
Casting materials are mostly metals of different time settings that cure two or more objects after mixing.
Clay, plaster, concrete and epoxy are the materials that are mostly used in casting.
Tips for Casting in Sculpture
Casting is a slow process. Although it is slow, this process is more secure, and reduces effort and provides time savings.
The casting process has three main tips to make it final:
1. Mold Filing
The casting method starts with mold filling.
In this method, the liquid is being filled in a hollow shape. The liquid is mainly molten material of mainly metal.
Solidification is the second method. In this, the liquid molded into a hollow shape is made to remain there to make it solid.
Once the liquid becomes a little hard, then it is ready for the next process.
Cooling is the final step of the casting in which the casting sculpture takes the final form. Water is used to cool down the solid shape and once, it becomes solid, the final Sculpture is ready to go.
To further explore how to perform casting, we also recommend this video by Crafty Art:
Popular Casting Sculpture Artists
Italian sculptor, Donatello, was instrumental in furthering the arts and culture during the Italian Renaissance.
Mainly working in Florence, much of his work is still found in the city today.
His bronze statue of David marks a turning point in art, as he was the first to stand naked in antiquity.
Artist Bernini is known for her amazing ability to make moves and express feelings about her work.
In his hands, the marble turns into a soft flesh that looks real, wanting to stretch it out and squeeze it. He served in this field for more than 70 years.
Rodin continues to be one of the most famous artists globally, with his well-known work, “The Thinker,” appearing in various bands around the world.
Rodin is known for his ability to sacrifice authenticity and embellishment using texture, detail, and light and dignity to convey emotions.
His focus on inner emotion and suffering is a turning point in art history and serves as a symbol of Modernity.
Casting has helped the field of Sculpture, and it made the artists’ work quite easy.
Through casting, the artist can break down the Sculpture process into three ways and take steps one by one towards the final Sculpture.
Harriet Maher a freelance writer based in Otautahi New Zealand, where she grew up. After completing an Honours degree in Art History at the University of Canterbury in 2014, she was awarded a full scholarship for a Masters in Art History at the University of Melbourne, which she completed in 2017. She has a lifelong desire to learn, so she’s passionate about new and innovative art practices, and she’s always seeking out new ways to look at and understand art. Her writing attempts to make the invisible seen, and the unsayable said.